Les Fleurs d’intérieur

2009 - Sculpture (Sculpture)

Danh Vo

location: Berlin, Germany
year born: 1975
gender: male
nationality: Vietnamese and Danish
home town: Ba Ria, Vietnam

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.


Danh Vo’s personal history of migration and adjustment is an important reference point for his artistic practice. In his work, he explores themes ranging from identity, authorship, sexuality, and ownership to origin. He uses intimate, personal material to show that identity is a construction of projections, assumptions and attributed values. Vo embarks upon a subtle investigation of the Western fascination for the exotic and unknown with an exquisite conceptual style. For Vo, appropriating the history of others is a way of unraveling monolithic ideas about identity. And he does so with great verve, generally initiating the journey with himself. In addition to his classifiable works, a certain mystified aura lingers around his actions: the artist has married, and subsequently divorced numerous people simply to add their names to his list, he has committed “crimes” later displaying their documentation as show, for example. In his installations he uses objects, photos and documentation that connects his family history to real memories intertwined with a complex imaginary. His refugee status has led him to attempt to reconstruct various derivations of identities, origins, and stories. This requires the questioning of social structures, the endorsement of different identities, the questioning of values, and the undermining of conventions in order set forth a groundwork for his personal depiction in the world of society at large. Born in 1975, Danh Vo is a Danish artist with Vietnamese origins. He lives and works in Berlin.


Colors:



Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

2012

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...

On Fire
© » KADIST

Runo Lagomarsino

2020

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Up All Night, Waiting for the Chelsea Hotel Magic to Spark my Creativity
© » KADIST

Mario Garcia Torres

2010

In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...

A Flags-Raising-Lowering Ceremony at my home’s clothes drying rack
© » KADIST

Kwan Sheung Chi

2007

A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...

Intentionally Left Blanc
© » KADIST

Hank Willis Thomas

2012

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

Until It Makes Sense
© » KADIST

Mario Garcia Torres

2004

Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

Shanghai Biennale Awaiting Your Arrival
© » KADIST

Xu Tan

2000

Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions...

One Minute To Act A Title: Kim Jong Il Favorite Movies
© » KADIST

Mario Garcia Torres

2005

Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...

The Transparencies of the Non-Act
© » KADIST

Mario Garcia Torres

Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...

Exquisite Eco Living (executive Properties series)
© » KADIST

Vincent Leong

2012

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

Interrupted Passage
© » KADIST

Julio Cesar Morales

2008

The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...

There are veins in these lands, I
© » KADIST

Rodney McMillian

2013

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...

TWO MILLION (Hong Kong Dollar)
© » KADIST

Kwan Sheung Chi

2013

One Million is a video work depicting the counting of bills...

Contrabando
© » KADIST

Julio Cesar Morales

2011

Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes...