6 min
Eric Dizambourg’s film presents a bucolic and ludicrous world used as a background for a character who is an actor as well as a performer. This character comes and goes throughout the countryside, the barn and an urban setting, a world of odds and ends where objects often seem to be used for other purposes than their original ones.
Working primarily in painting and video, Eric Dizambourg merges the burlesque with the rustic, blurring the boundaries between reality and representation. The fantastical and baroque universe created by Dizambourg offers a glimpse into his personal history, as well as the history of painting. His paintings incorporate the dripping technique of Pollock; the thick gesture of Leroy; the expressionist gesture of Soutine; and the violence of Goya’s black paintings, vaguely tempered by Raysse’s predilection for pop colors. Something of an iconoclast, Dizambourgs work depict art motifs in a comical way – painting becomes autonomous and plays on the freedom of gesture of this libertine artist.
Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
Fragments of History: Loc Vang, the Yellow music singer from Hanoi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Nguyen Dinh Toan August 3, 2021 By Duong Nguyen Thuy (800 words, 3-minute read) It was perhaps the melancholy of history that was the most palpable presence in the livestream action Fragments of History , which I organised as part of Mekong Cultural Hub’s Mini-Meeting Point held on 17 July 2021...
Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
MIDO - Photographs by Julie Joubert | Text by Magali Duzant | LensCulture Award winner MIDO From atmospheric studio shots to grainy selfies, Julie Joubert uses a spectrum of different image formats to paint a multilayered portrait of a young man’s journey to define himself in the face of struggle...
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Friday, January 31st, 2014, at 7 p.m Discussion between Arseniy Zhilyaev and Keti Chukhrov and projection Philosopher and poet, Keti Chukhrov will present her film Love Machines that questions today’s shift to a post-humanist philosophy, with its dismissal of the notions of love, mercy, pity, and collective sensitivity as components of an outdated human culture...
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Everything In Its Right Place: The Body Politic and the Body | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nabilah Said December 22, 2019 By Nabilah Said (1,400 words, 7-minute read) “You’re a guest, you’re a guest, you’re a guest.” This anodyne version of the Beauty and The Beast song played in my head as I walked through the exhibition The Body Politic and the Body , currently on at ILHAM Gallery in Kuala Lumpur...
Lam Tung Pang created Sketches from train ride Chicago to San Francisco during his travels through the United States researching American curatorial strategies for representing traditional Chinese painting in museums and cultural institutions...
Yuan Goang-Ming to Represent Taiwan at the 60th Venice Biennale With “Everyday War” Skip to content Yuan Goang-Ming, “Everyday War” (expected in 2024), still frame from video (© Yuan Goang-Ming, image courtesy the artist) The Taipei Fine Arts Museum (TFAM) , artist Yuan Goang-Ming, and curator Abby Chen are pleased to announce Everyday War , the exhibition representing Taiwan at the 60th Venice Biennale in 2024...