26:26, 21:07, 07:34, 22:20, and 15:14 minutes (93:00 minutes total)
The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo. The first three videos in the series were shot in a market place in Lubumbashi, the second largest city in the Congo, where several psychoanalysts explore mental health in the context of the Congolese public sphere. Throughout the video series, Woueté links this public health examination to memories of colonial history. In the last two videos in the series, the artist juxtaposes two subjective perspectives on the colonial regime in Belgian Congo. Tracing both the contemporary context and historical narratives, the project aims to destigmatize the topic and conditions of insanity. Woueté states the video series demonstrates how the ways in which history is narrated are complex and often problematic, emphasizing that it is important to “take care” of how history is chronicled and retold.
Guy Woueté is a video artist, sculptor, and painter who also embraces installation and photography in order to create his images via a conceptual approach. His interdisciplinary practice seeks out the gaps in social rhetoric wherein opportunities for criticism and critical reflection might arise. Woueté’s work also considers immigration in the age of globalization. As such, the history of his home country of Cameroon plays a major role in his work and everyday lived realities are his source of inspiration.
Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
What’s an Amateur, Anyway? : Open Space November 17, 2021 What’s an Amateur, Anyway? by Poetry Collaborations with Creative Growth Eds note: The prose in this post was written by Creative Growth Poet-in-Residence Lorraine Lupo Heather Edgar, Untitled, 18″x24″ acrylic on paper I like to proselytize to any non-poet who will listen...
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Was a Scandal the Best Thing to Happen to Hasan Minhaj? - The New York Times Television | Was a Scandal the Best Thing to Happen to Hasan Minhaj? https://www.nytimes.com/2023/12/17/arts/television/hasan-minhaj-the-new-yorker.html Share full article 169 Advertisement SKIP ADVERTISEMENT Finishing a story about a girl cheating on him in 11th grade, Hasan Minhaj turned to the audience at the Beacon Theater in Manhattan during the first of two shows on Friday night and said, “Don’t fact-check me.” The crowd came alive at this nod to the recent New Yorker article by Clare Malone exposing several of his onstage stories as fabrications...