Le Fou Postcolonial Insane

2019 - Film & Video (Film & Video)

26:26, 21:07, 07:34, 22:20, and 15:14 minutes (93:00 minutes total)

Guy Woueté


The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo. The first three videos in the series were shot in a market place in Lubumbashi, the second largest city in the Congo, where several psychoanalysts explore mental health in the context of the Congolese public sphere. Throughout the video series, Woueté links this public health examination to memories of colonial history. In the last two videos in the series, the artist juxtaposes two subjective perspectives on the colonial regime in Belgian Congo. Tracing both the contemporary context and historical narratives, the project aims to destigmatize the topic and conditions of insanity. Woueté states the video series demonstrates how the ways in which history is narrated are complex and often problematic, emphasizing that it is important to “take care” of how history is chronicled and retold.


Guy Woueté is a video artist, sculptor, and painter who also embraces installation and photography in order to create his images via a conceptual approach. His interdisciplinary practice seeks out the gaps in social rhetoric wherein opportunities for criticism and critical reflection might arise. Woueté’s work also considers immigration in the age of globalization. As such, the history of his home country of Cameroon plays a major role in his work and everyday lived realities are his source of inspiration.


Colors:



Related works sharing similar palette  
» see more

Iyami
© » KADIST

Ishola Akpo

2021

Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

2002

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Vikings I&II
© » KADIST

Olaf Breuning

2002

For this image, Olaf Breuning invented a revised stone age corrected for the cinema in which dolmens and leather were replaced by surf boards and neoprene clothing...

The Twist Art Museum in Norway to Open Autumn 2019 - via Globetrender
© » LARRY'S LIST

A warped, aluminium cuboid, The Twist art museum doubles as a gravity-defying bridge, which spans the Randselva River in Norway...

Related works found in the same semantic group  
» see more

Film by Renzo Martens, hosted by Robert C. Jones
© » KADIST

Renzo Martens’ video Episode III – Enjoy Poverty (2008) is a provocative investigation of the echoes of colonialism in the Democratic Republic of Congo and offers a complex rendering of the ethical dimensions of social engagement...

Wall Window or Bar Sign (Insanity is Doing the Same Thing Over and Over and Expecting Different Results)
© » KADIST

Mungo Thomson

2014

Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...

Congo Is in a ‘Cultural Crisis.’ Here’s How Artists, Dealers, and Collectors in the Capital of Kinshasa Are Using Art to Solve the Problem - via artnet news
© » LARRY'S LIST

New commercial galleries, artist-led biennials, and patrons aim to give the Democratic Republic of Congo a new image through art....

Sometimes It Was Beautiful
© » KADIST

Christian Nyampeta

2018

The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...