The Last Riot was originally created for Venice Biennale in 2007. In reference to Baroque Painting tradition and Chiaroscuro, this video installation imagines a dystopian virtual world where bodies removed from conscience and emotion exist weightlessly in a cyber paradigm. Light, shadow and digital manipulation slate a post-apocalyptic world where young teens enact conflict as ritual. Both heroes and villains here are automatons here, mechanically carrying out unseen commands within this dreamlike simulation. The letters AES+F of the Russian Collective are for its four members, Tatiana Arzamasova, Lev Evzovich, Evgeny Svyatsky and Vladimir Fridkes. Originally the collective was founded in 1987 with Fridkes joining in 1995, adding his experience as fashion photographer to the mix. Bringing together their individual extensive expertise ranging from conceptual architecture, set design, puppetry, film, photography, graphic design and image making, the group has held over one hundred solo exhibitions, and has showcased their works in Biennials ranging from Venice in 2007 to Gwangju, Helsinki, Istanbul, Lyon & others. Traditional language of painting and sculpture often inform their digital narratives and imagined, simulated worlds.
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
Reframing The Mental Health Discourse ‘With Time’ | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Zinkie Aw and Drama Box October 20, 2021 By Isaac Tan (1,262 words, 4-minute read) CW: Mentions of issues about mental health and suicide...
At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West...
In Ho Chi Minh City, there’s a music street called Nguyen Thien Thuat (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuoi Tre News January 14, 2019 Nguyen Thien Thuat Street in District 3, Ho Chi Minh City, is best known for its wide array of music stores...
Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Loaded Manitoba Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud The Royal Winnipeg Ballet is urging patrons to buy tickets directly from its website or box office after it lost $10,000 to online ticket scammers during its recent production of The Nutcracker...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Caroline Polachek gets festive with Bimba y Lola | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Q+A Shot by Petra Collins, the singer is the face of the Spanish label’s latest Christmas campaign Bimba Y Lola 11 December 2023 Text Dazed Digital Bimba y Lola by Petra Collins featuring Caroline Polachek 6 Last year, Bimba y Lola enlisted photographer Petra Collins for its AW22 campaign...
– In whiche a lemyng starre returneth in the yeer foretolde and alle thing that spak to us turneth ayeyn to silence – Sixth episode of The Unmanned and sharing the same camera movements as the episode “1997 – The Brute Force”, “Mil troi cens quarante huyt” refers to the appearance of a comet in 1759 – thus validating the computation and rational prediction of its return by the British astronomer and mathematician Edmond Halley...
How Banksy’s 2015 amusement park parody Dismaland transformed a gallery founder’s view of exhibitions | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A mermaid sculpture sits in front of a fairy castle at Banksy’s Dismaland amusement park parody in Weston-super-Mare, England, in 2015...