12:00 minutes
Landslides is a cinematographic essay/poem by Caroline Déodat in which fictional images are the result of research into the memories of a Mauritian dance born during colonial slavery, the Sega. In the film, the contemporary Mauritian dancer Jean-Renat Anamah crosses mythical landscapes of the Sega that merge with intimate territories. From the pixels of the digital image and the signals of electronic music, this film exhumes in layers of landscapes the spectres of a ritual erased by history through a personal genealogy: between haunting memory and deferred archive. For this film, Déodat collaborated with Jean-Renat Anamah, instructing the dancer to focus on expansion, circular movement, and memory to produce his series of gestures. After some rehearsals in the studio,Anamah’s performance was improvised in the landscape and shot in one take.
Caroline Déodat is an artist, filmmaker and researcher. Through her films and installations, she explores the spectral dimensions of the moving image, in between fiction and experimental ethnography. Obsessed with processes of archiving and alienation, history and myths of violence, Déodat seeks ways to recompose histories and weave silenced genealogies through the convocation of haunting memories, deferred archives, and oral images. Déodat has developed a style of poetic montage in her visual practice, where she pays particular attention to polyphony. Since 2019, she has been working on experimental films, in which she uses dance, archive, music and narration to create what she terms ‘oral images’ that expose themselves to a multiplicity of audiences.
The latest exhibition at England's Baltic sets a whole new bar for showing art in a climate crisis Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Green is the New Black blog The latest exhibition at England's Baltic sets a whole new bar for showing art in a climate crisis Stepping Softly on the Earth embodies the themes of sustainability and interconnectedness both in its theme and how it has been put together Sponsored by Louisa Buck 6 February 2024 Share Stepping Softly on the Earth brings together work by more than 20 artists from across the world, whom together challenge our human-centred perspective Photo: John McKenzie @ Baltic Centre for Contemporary Art Green is the new black In this monthly column, Louisa Buck looks at how the art world is responding to the environmental and climate crisis...
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Following her family’s political exile to Australia in 1990, Havini began to document her journey’s home to the north of Buka Island, in the Autonomous Region of Bougainville...
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In a society saturated by images, Eric Baudelaire is interested in political events that have not found their representation...
Myriam Pruvot — Chant éloigné — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Myriam Pruvot — Chant éloigné — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Myriam Pruvot — Chant éloigné Exhibition Architecture, performance, sound - music, video Antenae © Myriam Pruvot, 2023...
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Les Chenilles by Michelle and Noël Keserwany is a sensual film that translates the source of women’s oppression into the means for their liberation...
The project Grabador Fantasma (Phantom Recorder) consists of a communally constructed technological device in Sarayaku ancestral territory...