Landscape Series no. 1 presents landscape as a “quiet witness of history.” It began with searches of online archives of Vietnamese news-media, for images of figures in landscapes “pointing, to indicate a past event, the location of something gone, something lost or missing.” The uniformity is striking but the sequence is subtly structured: the typology hints at narrative progression, though of an uninformative narrative, lacking details.
Nguyen Trinh Thi is a moving image pioneer, not only within the landscape of contemporary art in Vietnam, but also broader South East Asia. Her training in journalism, photography and ethnographic studies anchors her artistic commitment to the essay film, a signature method of narrative that she explores in her investigation of perception, often re-working found footage into alternate historical tales of memory. Nguyen’s practice – embracing film, photography, installation and performance – engages various intelligences in its research: from indigenous farmer to shaman, from urbanite to rural farmer, from war archivist to sound specialist. Such interdisciplinary involvement reflects her keen social interest in the function of memory, particularly the presence of absence. In her investigation of: labor and its gendering; the archive and what it does not interpret; perception and the privileging of sight – Nguyen crafts specific tales of contest, her work reflecting a complex web of social relations that begs assumptions of value re-configured.
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Pyre , an installation by Mexico City-based artist Joaquín Segura, addresses corruption, impunity, and the role that failed governments play in the normalization of violence...
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
Nghệ thuật Xin giấy phép Triển lãm ở Việt Nam | ArtsEquator Skip to content Tại một đất nước như Việt Nam, nơi có những yêu cầu không rõ ràng về việc trưng bày, Linh Lê nhấn mạnh rằng chỉ cần một thứ tưởng chừng đơn giản như xin giấy phép triển lãm có thể trở thành một cách kiểm duyệt biểu đạt nghệ thuật...
The collector is developing projects that allow her to support artists in her own unique way....
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The Defining Artworks of 2023 – ARTnews.com Skip to main content By The Editors of ARTnews Plus Icon The Editors of ARTnews View All December 18, 2023 2:20pm Photo Illustration: Kat Brown/ARTnews Each year, countless new artworks are made and historical ones come into sharper focus as events in the art world and beyond give them new valance...
MervEspina and the Green Papaya Art Projects (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 22, 2018 With the support of Japan Foundation and collaboration of Myanm/Art, MervEspina, artist and researcher from Philippines talked about Green Papaya Art Projects whose essence can be rendered as ‘never ripe, never rotten’...
Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Mumbai blog Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre is an unprecedented but surface-level survey for a broad audience Kabir Jhala 9 February 2024 Share Installation view of Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre, Mumbai Courtesy of NMACC When Nita Ambani, India’s wealthiest woman, opened her eponymous cultural centre in Mumbai last March, many in the art world were intrigued...