53.54H x 53.54W inches
In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag. Where the printed surface of the towel originally served to enliven this commodity, here the pattern—now stretched and re-presented—suddenly refers to abstract painting’s promises of transcendence. And its crisply painted shape pulls the printed colors into the rectangularity of the canvas and, as da Cunha notes, the graphic iconicity of flags.
Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.
Political art stays peripheral at Art Basel in Miami Beach Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Political art stays peripheral at Art Basel in Miami Beach Fair’s stands largely remain neutral despite multiple hot-topic issues in the world today Gareth Harris and Tim Schneider 9 December 2023 Share Julie Buffalohead’s Our Bodies Our Choice , in the Meridians section, references wide-ranging injustices against Native Americans Photo: Liliana Mora Should art engage with politics or offer an escape from politics? This is the question dealers, artists and collectors have tended to face in the run-up to Art Basel in Miami Beach from its very first outing...
Gikan Sa Ngitngit Nga Kinailadman (From The Dark Depths) by Kiri Dalena is a stylistically collaged film inspired by the true story of a young activist’s drowning...
The 50 best K-pop tracks of 2023 | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Music Dazed Review 2023 From Jung Kook to NewJeans and aespa, we look back on the K-pop tracks that ruled the last 12 months Text Taylor Glasby 15 December 2023 If the past few years have been focused on expanding K-pop (more global tours and festivals, more English releases), then 2023 was the expansion of the industry’s biggest companies’ interests beyond K-pop itself...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Behind the scenes with the Women of SIFA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles SIFA February 13, 2020 By Nabilah Said ArtsEquator speaks to four women that are part of the local commissions of SIFA 2020 – Siti Khalijah Zainal , Jodi Chan , Ellison Tan and Mia Chee ...
The series Funerals under Neon Lights by Tomoko Kikuchi focuses on how transgender people’s ritual became a vital part of funerals in rural China...
Berlusconi Mull Over Future of His Art Collection | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Taylor Swift doesn’t want us to know about her carbon footprint | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Music Opinion The singer has threatened legal action against a 22-year-old student who has been tracking her private jet, claiming his actions constitute ‘stalking’ 8 February 2024 Text Diyora Shadijanova Taylor Swift doesn’t want you to know that she flew her private jet 13 minutes from one side of a city to another, the same journey which takes 30 minutes by car ...
The Blue Poisoning series , reveals the outcome of artist Tirdad Hashemi’s weary and depressed days in the winter of 2022, following their second migration from Paris to Berlin...
The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”...