La Ligne du Temps

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...

Weekly Picks: Indonesia (17 - 23 December 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 17, 2018 Top Picks of Indonesia art events in Bali and Solofrom 17-23 December 2018 The year is coming to a close but there are still a few exciting art events that might brighten your holiday season...

An Interview with the Noguchi Museum’s New Director, Amy Hau | Observer Last month, it was announced that Amy Hau would serve as the next director of the Isamu Noguchi Foundation and Garden Museum, colloquially known as The Noguchi Museum, in Long Island City, Queens...

Habits and customs of _______ are so different from ours that we visit them with the same sentiment that we visit exhibitions Lu Huanzhi, Ho Tzu Nyen, Li Liao, Irena Haiduk, Siniša Ilic, Eva Barto Editors: Biljana Ciric and Fayen d’Evie Design: 3-ply, Toby Tam and Biljana Ciric Risograph cover, 5 x BW digital print booklets...

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view...

– In which a storm breaks out in a computing division and its simulation is turned inside out – Fourth episode of The Unmanned series, “The Uncomputable” is the story of a failure: the building in the northern plains of Scotland of a giant climate prediction factory by meteorologist Lewis Fry Richardson...

Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...

Rocket Society refers to a space project led by a group of Armenian researchers at the beginning of the 1960s...