8 ½ x 11 inches each
Kosmic Music is a musical score comprised of two parts: a single mixed media drawing titled Colors and Satellites, and a pair of mixed media drawings titled Koral Reef . Conceived of together as a single musical score, the three drawings exemplify a specific stage in the evolution of Wadada Leo Smith’s Ankhrasmation Language, which he has been developing since 1967. Although at first glance the works in Kosmic Music might appear abstract compositions drawn on paper, as with other scores produced by Smith, suggestions of musical structures are revealed upon closer inspection: an entanglement of musical sheets and bright geometric forms. The artist activates these works by performing the scores live, sometimes accompanied by other musicians who are familiar with his Ankhrasmation Language and can follow the cues from the formal and musical components of the works. As described by Smith: “the scores are constructed in a way that can be used to produce music, but the music itself is not on the score. The score is this doorway where you become aware of elements like structure, shapes, color and [the] connection of those shapes and colors and lines and dots. You have to transform that into some kind of reference, [and] then you’re able to actually get to the music.”
Wadada Leo Smith is an avant-garde jazz musician, composer, educator and visual artist, celebrated for his creative and unconventional approach to music. Over the past 50 years, a focal point of his practice has involved the ongoing research and development of his own musical language, which he calls Ankhrasmation : a neologism formed from the terms ‘Ankh,’ the Egyptian symbol for life, ‘Ras,’ the Ethiopian word for leader, and ‘Ma,’ a universal term for mother. This language is characterized by musical scores that avoid (and at times, incorporate) traditional notationsin favor of symbolic compositions of color, line, and shape. Improvisational elements of jazz are woven into Smith’s colorful pieces, some of the scores taking up to several days to perform. These vibrant constructions are filled with energy and mystery, providing creative guidance for the seasoned improviser while allowing musicians to bring their own expertise and strengths to their performance.
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
Discover Mexico City's Thriving Art Scene - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe ZONAMACO...
Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Van Gogh à Auvers-sur-Oise — Les derniers mois Exposition Peinture Vincent Van Gogh, Champ de blé sous un ciel orageux, Auvers-sur-Oise, juillet 1890 Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) © Van Gogh Museum, Amsterdam Van Gogh à Auvers-sur-Oise Les derniers mois Encore environ 2 mois : 3 octobre 2023 → 4 février 2024 Présentée au musée d’Orsay à l’automne 2023, cette exposition sera la première consacrée aux œuvres produites par Vincent van Gogh (1853-1890) durant les deux derniers mois de sa vie, à Auvers-sur-Oise, près de Paris...
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...
The 2024 Puppy Bowl: Team Fluff, Team Ruff Go Head-to-Head | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List The 20th Annual Puppy Bowl Pits Team Fluff Against Team Ruff — and Everyone Wins Mark Kennedy, Associated Press Feb 7 Save Article Save Article Failed to save article Please try again Email Some of the adorable participants in this year's Puppy Bowl...
‘The Taste of Things’ Review: A Moving Tale of Love and Food | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’ Lindsey Bahr, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Benoit Magimel and Juliette Binoche in ‘The Taste of Things.’ (Stéphanie Branchu/ IFC Films via AP) The Taste of Things should come with a warning: Audiences may be tempted to abandon work as they know it and start a beautiful, calm new life in the French countryside devoted to the culinary arts...
In the islands of the Strait of Hormuz off the southern coast of Iran, a distinctive local culture has emerged as the result of many centuries of cultural and economic exchange, the traces of which are seen not only in the material culture of these islands but also in the customs and beliefs of their inhabitants...
Where are the Malays?: Locating the Singaporean Malay in Singa-Pura-Pura | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 27, 2021 By Lily Jamaludin (1,368 words, 4-minute read) Singa-Pura-Pura boasts an eclectic collection of short speculative fiction from a minority ethnic group in Singapore, exploring worlds where robots are therapists, prayers are read from preloaded cards, and humans are migrating to Mars...
Vandy Rattana’s Bomb Ponds series was made following a transformative encounter with the craters left over from 2,756,941 tons of bombs dropped by U...