Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor. The series riffs on previous investigations by the artist such as his meticulous depictions of masculine political figures, which included a headless J. Edgar Hoover and a Hitler head floating vulnerably in the center of a white expanse (Hitler’s iconic mustache was crafted from the artist’s pubic hair). Rendered in soft graphite, the imposing Knights embody the ostensibly conflicting ideals of chivalrous deference and invulnerable masculinity.
An expert draftsman well versed in semiotics, Karl Haendel strategically manipulates tangled visual, material, and textual themes, often to humorous and evocative effect. His juxtapositions are as resonant as they are unexpected, whether they take the form of layered graphite drawings, video, or installation. Haendel’s distinct brand of honest humor, honed in his current hometown of Los Angeles, is rooted in the rigorous studies he undertook at Brown University (BA), UCLA (MFA), and the Whitney Independent Study Program.
Created during Zhao Renhui’s residency at Kadist SF in 2014, Zhao Renhui began observing and cataloguing insects inspired by the scientific impulse towards exhaustive taxonomy of Sacramento-based Dr...
Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Amy Bravo — I’m Going There With You — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Amy Bravo — I’m Going There With You — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Amy Bravo — I’m Going There With You Exposition Installations, peinture, sculpture, techniques mixtes À venir Amy Bravo, Elegy to the Mustache, 2024 Graphite, pastel, acrylique sur toile, miroir, plâtre et objets trouvés — 137 × 91,5 × 2,5 cm Courtesy Semiose, Paris Amy Bravo I’m Going There With You Dans environ un mois : 16 mars → 27 avril 2024 La encrucijada / la croisée des chemins « Un poulet est sacrifié à une croisée de chemins, un simple monticule de terre un autel en terre pour Eshu, dieu Yoruba de l’indétermination, qui bénit le choix de chemin qu’elle a fait...
Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art Matthew Barney, Cremaster 5 (production still), 1997 (fig...
Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Amy Bravo — I’m Going There With You Exhibition Installation, painting, sculpture, mixed media Upcoming Amy Bravo, Elegy to the Mustache, 2024 Graphite, wax pastel, acrylic on canvas, found objects, mirror and plaster — 54 × 36 × 1 in...
This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Power Forward Wednesday, January 24, 2018 Bar 6pm, Program 7pm Ezekiel Kweku & Ameer Lo ggins in conversation, moderated by Sarah Hotchkiss Editors Astria Suparak & Brett Kashmere in person To celebrate the launch of Sports , the newest issue of artist-run publication INCITE: Journal of Experimental Media , KADIST hosts an evening of athletics, politics, art, and dialogue...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...