157 x 126cm
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence. Philosophical problems such as the nature of causality, the roles of probability and design in human experience, and the limits and possibilities of human knowledge, animate much of his work. Language as a coded system, as a representation medium, but also as something that generates a whole variety of realities also plays a central role. The heterotopias of the real and imagined, near and far, thinkable and inconceivable converge and find meaning. Using phrases, along with a list of them that could be continued ad infinitum, Keith Tyson creates images that cause the distant and the near, the fictitious and the real to operate from within a location. His media include painting, drawing and installation. His exhibits are hybrid forms, they are games, images, machines, mechanisms that offer places from which literature, inventories, phenomena spread out into spheres that are infinite in both space and time. In Tyson’s work the idea of dimensions play out in terms of prolongation of time and space, and the idea of breadth and compression. Tyson is not so much concerned with representation rather he is interested in subject of machines, mechanisms and engines that confront our models for handling reality and the re-evaluation of our subjective positions. Keith Tyson was born in Ulverston, UK, in 1969. He lives and works in London.
Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...
The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...
Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
“BC/AD” (Before Cancer, After Diagnoses) is a video of photographs of the artist’s face dating from early childhood to the month before he died, accompanied by the last diary entries he wrote from April 2004 to July 2005 (entitled “50 Reasons for Getting Out of Bed”), from the period from when he lost his voice, thinking he had laryngitis, through the moment he was diagnosed with lung cancer and the subsequent treatment that was ultimately, ineffective...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...