Kastura (2012) is an installation consisting of 24 black-and-white photographs of the Katsura Imperial Villa in Kyoto bequeathed by Kimura’s grandfather; free-standing structures on which they are hung; and ornamental plants. The photographs appear to have been taken in late 1950s soon after tours of the villa were first offered to the public. Then, as today, visitors were led by a guide and could only follow a designated route. Cross-referencing the numbers inscribed on the back of the 24 photos and the locations where they were shot, Kimura found that sequence of photos elegantly encapsulates the entire tour route. This prompted her to create an installation employing the complete set of photos. Since German architect Bruno Taut lauded the Katsura Imperial Villa in the early 20th century as the apotheosis of the Japanese aesthetic, its building have frequently appeared in discussions of modernist architecture. Noting that the centuries-old villa and works of modernist architecture share the structural concept of the module, Kimura devised a group of spare steel modular units, on which the photographs are hung to create seamlessly integrated objects. In this work, Kimura replicates a time and place captured on film around half a century earlier.
Focusing on the temporal and spatial layers inherent in the medium of photography, Yuki Kimura constructs relationships between photographs and exhibition spaces that imbue the act of viewing with new dynamism.
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...
Title, Theme Announced for Sixth Aichi Triennale – Artforum Read Next: ART BASEL REVEALS EXHIBITOR LIST FOR 2024 SWISS FAIR Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
Created during Zhao Renhui’s residency at Kadist SF in 2014, Zhao Renhui began observing and cataloguing insects inspired by the scientific impulse towards exhaustive taxonomy of Sacramento-based Dr...
Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol...
Oren Pinhassi’s work examines the relationship between the human figure and the built environment...
RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture...
Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Power Forward Wednesday, January 24, 2018 Bar 6pm, Program 7pm Ezekiel Kweku & Ameer Lo ggins in conversation, moderated by Sarah Hotchkiss Editors Astria Suparak & Brett Kashmere in person To celebrate the launch of Sports , the newest issue of artist-run publication INCITE: Journal of Experimental Media , KADIST hosts an evening of athletics, politics, art, and dialogue...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes...