Justice
2014 - Sculpture (Sculpture)
Zai Kuning
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open. A bundle of small red rattan balls hang from the front end of the plank, precariously knotted to a single thread hanging from the gallows’ edge. A book hangs from similar red threads at the plank’s rear, its surfaced wrapped multiple times over with the thread to hold it in place, the red thread resembling blood vessels or connective tissue. A strange substance covers the book’s surface: translucent manila-hued beeswax that gives it a cream-colored luster. This assemblage bears anthropological significance, as Zai notes, Justice reimagines the life worlds of the Orang Laut, an indigenous nomadic tribe from Indonesia’s Riau Archipelago that migrates through maritime travel but that has become increasingly displaced and marginalized in recent years. Each component of his installation, by extension, draws inspiration from different objects that Zai found amongst the Orang Laut during his fifteen years of researching the tribe. Zai tellingly does not allow his work to slip entirely towards ethnography, and he does not describe the use value for these objects, presenting Justice instead as a creative rendering of the Orang Laut’s “world” through a composite of their accumulated ephemera. Justice functions as both an imaginary artifact as well as an artistic statement of resistance against forms of cultural imperialism that threatens to erase non-mainstream cultures.
Zai Kuning is one of Singapore’s leading avant-garde practitioners. He refuses to categorize his work, and his output crosses multiple disciplines including painting, drawing, sculpture, installation, film and video, experimental sound, and performance. His practice often examines the concept of the “tortured body,” and many of his pieces explore the relationship between somatic experiences and language. He founded the Metabolic Theater Laboratory (MTL) in 1996 to examine the relationship between physical movements and language in Southeast Asian rituals. After disbanding the MTL in 2001, he returned to individually defined practices such as solo performance, writing, sound, and research. His most recent work responds to histories of indigenous people in Singapore and Indonesia including the Orang Laut and Dapunta Hyang Jayenasa.
Colors:
Related works sharing similar palette
© » KADIST
Walead Beshty
2011Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
© » ANOTHER
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
© » ARTSY
5 Standout Shows to See at Small Galleries This November | Artsy Skip to Main Content Advertisement Art 5 Standout Shows to See at Small Galleries This November Maxwell Rabb Nov 17, 2023 1:00PM Lesia Vasylchenko Tachyoness , 2022 Catinca Tabacaru Gallery Sold María Fragoso Jara Bébete mi amor , 2023 1969 Gallery Sold In this monthly roundup, we shine the spotlight on five stellar exhibitions taking place at small and rising galleries worldwide...
© » KADIST
Gregory Crewdson
2005Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
© » KADIST
Ei Arakawa and Sergei Tcherepnin
2011Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross...
© » KADIST
Ahmet Ögüt
2022Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
© » KADIST
Pablo Accinelli
2011In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...
© » KADIST
Ahmet Ögüt
2022Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
© » THEARTNEWSPER
Art Basel reveals 287 galleries participating in its next Swiss fair, including 22 first-time exhibitors Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel news Art Basel reveals 287 galleries participating in its next Swiss fair, including 22 first-time exhibitors June's event will be the first edition of the world’s most important art fair under the direction of Maike Cruse Benjamin Sutton 8 February 2024 Share Visitors at the Marian Goodman Gallery stand in the main galleries sector at Art Basel 2023 Courtesy of Art Basel Art Basel’s hometown fair will return in June with 287 participating galleries, 22 of which will be taking part for the first time...
© » KADIST
Ahmet Ögüt
2022Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
© » KADIST
Ahmet Ögüt
2022Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
© » KADIST
Haig Aivazian
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
© » KADIST
Ahmet Ögüt
2022Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
© » ARTSJOURNAL
Emmanuelle Debever: Prosecutors probe death of Gerard Depardieu accuser - BBC News Image source, Les Films du Losange Image caption, A young Emmanuelle Debever, who appeared in several films and television programmes in the 1980s By Hugh Schofield BBC News, Paris Paris prosecutors are investigating the apparent suicide of an actress who alleged she was sexually assaulted decades ago by Gérard Depardieu...
© » SLASH PARIS
Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Valérie Jouve — Le monde est un abri Exposition Photographie, vidéo À venir Sans titre (Les Façades), 2020-2023 / Sans titre (Les Personnages avec Abu Hassan), 2009, courtesy de l’artiste et de la galerie Xippas (Paris, Genève, Punta del Este) Photomontage Courtesy de Valérie Jouve et de la galerie Xippas (Paris, Genève, Punta del Este) Valérie Jouve Le monde est un abri Dans environ 2 mois : 11 février → 14 avril 2024 Après la parution en novembre 2022 de son dernier livre ( Valérie Jouve , Flammarion/ CNAP ) mettant en récit quinze années de travail, Valérie Jouve formule une nouvelle proposition pour le vaste espace du Centre Photographique d’Île-de-France (Pontault-Combault, Seine-et-Marne)...