After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles. Usually displayed in grid against the wall or in a corner, the viewer is able to follow the sequence of cross sections to visually recreate the work’s genesis. In this way, Caesar’s pieces embody an interesting x-ray or archaeology of the artistic process itself.
Jedediah Caesar is more interested in the materials and the process of making a work than in the actual final aesthetic product. Most of the time he begins with a collection of found objects, which he encases in resin, often using cardboard boxes as a molds. The resulting casts are then cut into blocks, flat slices and other shapes—cross-sections of the original objects that nullify their original function and form and transform them into a new kind of material. While the resulting geometric sculptures and the industrial process involved in making them may recall minimalist practices from the 1960s, Caesar’s “metaphorical rebirth” of the materials also gives them a strong, expressive abstract character.
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Feet Under Fire by Lungiswa Gqunta depicts the artist’s lower legs swinging in and out of frame, above a bed of charcoal...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand...
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Mohamed Bourouissa’s “ Shoplifters” Series was created in 2014-2015, in a neighborhood supermarket in Lefferts Garden, Brooklyn...
The power of collaboration, laid out for all to see - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Uyghur Community © Carolyn Drake Gathering hundreds of images and contributors, a new book challenges narratives on photographic history and collaboration On 13 March 2021, Patsy Stevenson attended a vigil in London for Sarah Everard, a young woman who had been raped and killed by a serving police officer...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Second Clockenflap festival this December is ‘a leap of faith’, says co-founder, who promises ‘outrageous levels of fun for all who come’ | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more How will December’s Clockenflap festival differ from the March edition? Justin Sweeting, Clockenflap co-founder and head of music, talks to the Post...