In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home. One plays with some sort of board game while the other holds either a book or DVD of the movie Jackass Number Two, presumably the source of the photograph’s title. As Marcopoulos has continued to document his sons, and as they have become teenagers, the images of them begin to closely resemble the teenagers in much of his earlier work. The boys in Markopoulos’ images have become less his sons and more anthropological subjects of study, the youths that started his photographic career over thirty years ago. Jackass is a perfect example of the full circle that Marcopoulos’ career has made.
Dutch artist Ari Marcopoulos moved to the United States in 1980 and has become an important documentarian of American fringe culture over the last three decades. The subject matter of Marcopoulos’ photographs and videos have ranged from skateboarding and snowboarding to the New York art scene, including Warhol’s Factory, in the 1980’s. Now residing in Northern California, Marcopoulos has focused his lens on his family. Often documenting his sons against the California landscape, he has stressed that these photos are not meant to be autobiographical but archetypes of the idea of family. Through his prolific output of books, magazines, films, and exhibitions, Marcopuolos has provided the world with an inside view of cultures that are often inaccessible.
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...
Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...
Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
Laurent Le Deunff — Easter Eggs — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Laurent Le Deunff — Easter Eggs — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Laurent Le Deunff — Easter Eggs Exposition Dessin, sculpture, techniques mixtes Laurent Le Deunff, vue de l’exposition Easter Eggs, galerie Semiose, Paris Courtesy of the artist & Semiose, Paris — Photo : DR Laurent Le Deunff Easter Eggs Encore 19 jours : 18 novembre → 30 décembre 2023 Les sculptures présentées dans l’exposition Easter Eggs se présentent comme des totems composés d’une suite inattendue d’objets, culturels ou naturels, associés avec une très grande liberté...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
The title of the work Eridanus refers to the constellation of the river of ancient Athens that meanders across in the night sky...
“On April 13 a painting was lost at JFK airport while going through the security screening...
On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Experiencing the Ebb and Flow of “yesterday it rained salt” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Benedict Cheong February 4, 2019 By Casidhe Ng (1,068 words, five-minute read) In yesterday it rained salt , we are always surrounded by the acoustics of the sea...
In 2009, Laura Henno began research in the archipelago Comoros for her first film Koropa the first episode of a triptych— completed in 2016...