In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home. One plays with some sort of board game while the other holds either a book or DVD of the movie Jackass Number Two, presumably the source of the photograph’s title. As Marcopoulos has continued to document his sons, and as they have become teenagers, the images of them begin to closely resemble the teenagers in much of his earlier work. The boys in Markopoulos’ images have become less his sons and more anthropological subjects of study, the youths that started his photographic career over thirty years ago. Jackass is a perfect example of the full circle that Marcopoulos’ career has made.
Dutch artist Ari Marcopoulos moved to the United States in 1980 and has become an important documentarian of American fringe culture over the last three decades. The subject matter of Marcopoulos’ photographs and videos have ranged from skateboarding and snowboarding to the New York art scene, including Warhol’s Factory, in the 1980’s. Now residing in Northern California, Marcopoulos has focused his lens on his family. Often documenting his sons against the California landscape, he has stressed that these photos are not meant to be autobiographical but archetypes of the idea of family. Through his prolific output of books, magazines, films, and exhibitions, Marcopuolos has provided the world with an inside view of cultures that are often inaccessible.
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...
Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
Laurent Le Deunff — Easter Eggs — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Laurent Le Deunff — Easter Eggs — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Laurent Le Deunff — Easter Eggs Exposition Dessin, sculpture, techniques mixtes Laurent Le Deunff, vue de l’exposition Easter Eggs, galerie Semiose, Paris Courtesy of the artist & Semiose, Paris — Photo : DR Laurent Le Deunff Easter Eggs Encore 19 jours : 18 novembre → 30 décembre 2023 Les sculptures présentées dans l’exposition Easter Eggs se présentent comme des totems composés d’une suite inattendue d’objets, culturels ou naturels, associés avec une très grande liberté...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
The title of the work Eridanus refers to the constellation of the river of ancient Athens that meanders across in the night sky...
“On April 13 a painting was lost at JFK airport while going through the security screening...
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Dancing with the Demons: “The Son” by Pangdemonium | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints February 27, 2020 By Naeem Kapadia (914 words, 4 minute read) Everyone tells us that a person battling mental health issues should seek professional help...
In 2009, Laura Henno began research in the archipelago Comoros for her first film Koropa the first episode of a triptych— completed in 2016...