27H x 25.5W x 2 inches
Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage. Iron is one of nature’s most abundant metals. Smith, a philosopher of human detritus and poetic associations, presents it in this work as simultaneously everywhere yet paradoxically forgotten, lost in the heaps of refuse that fill junkyards and vacant lots. She thereby recalls and reclaims something important and elemental—indeed, a material that is integral to the physical fabric of culture and society, one that we associate with incorruptibility and malleability simultaneously.
At a moment when Minimalism and Conceptual Art collided, Southern California-based Alexis Smith began working with discarded street signs, matchbooks, movie posters, and other detritus to become one of the pioneers of conceptual assemblage. Her cryptic comments on the cloudy morality of American culture are derived from pop cultural references including political figures like Richard Nixon, Hollywood films, and pop musicians. This borrowing of literally recycled material and recycled cultural tropes is also seen in the work of Smith’s peers Mike Kelley, Chris Burden, and Vija Celmins.
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
'Homoerotic, sexualised' Jesus poster sparks outrage in Spain - In the press Skip to main content 'Homoerotic, sexualised' Jesus poster sparks outrage in Spain Issued on: 30/01/2024 - 11:19 07:56 IN THE PRESS © FRANCE 24 By: Dheepthika LAURENT IN THE PRESS – Tuesday, January 30: We take a look at the French and European papers after French farmers blockade the majors roads leading to Paris in a protest over their working conditions and pay...
Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver Exposition Dessin, edition, film, installations.....
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Simpson’s sculptural practice connects architecture, clothing, furniture and the body to explore the functional and sociological roles and the influence of the design and architecture of various cultures and periods in history...