5:26 minutes
Intersticio (Interstice) by Elena Damiani traces the topography of a non-specific site, an in-between zone. The video presents a panoramic view of two territories of a shifting and unresolved character, composed out of segmented events that visually intersect at a shared horizon point. Over the images, a fragmented and ambiguous poetic narration describes, by means of images found in digital archives, a hybrid site that permutes the representation of nature through its fusion of source material. The sense of permanent wandering designates an excursion with no precise destination, a mental place of fractured limits with an amplitude larger than any physical location. This trajectory appears to be dictated by the circumstances of an open field, where concrete places are now only points along a route, and the in-between moments that mark a continuous state of transition are the ultimate destination. With Intersticio , Damiani presents a journey to a territory comparable to contemporary space—a world so ample that the spatial and temporal coordinates essential to historicity fade, throwing our impressions of reality into question.
Transforming found materials into collages, sculptures, videos, and installations, Elena Damiani critically addresses our understanding of the present by harnessing the potential of images from the past. She is interested in revising subjects such as geology, archaeology, and cartography. By reworking materials such as books, photographs, video footage, and public records, Damiani stages fictions where multiple topographies and times unfold, hovering between an indeterminate past and present. She aims to explore the ways in which specific materials can be presented as incomplete and ambiguous when extracted from their contexts, then recomposed into artworks that emphasize the mutability of cultural objects and information, thereby forming new memory paths and connections.
Controversy swirls around Centre Pompidou ahead of 2025 closure Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums news Controversy swirls around Centre Pompidou ahead of 2025 closure Talks between trade unions and the French culture ministry stall as workers fear for their future during the Paris museum’s five-year shutdown Vincent Noce 8 December 2023 Share A museum in turmoil: the Pompidou is due to close from 2025 until 2030...
Lost Rembrandt portraits fetch more than $14 mn at auction - France 24 Skip to main content Lost Rembrandt portraits fetch more than $14 mn at auction Issued on: 07/07/2023 - 11:50 Modified: 07/07/2023 - 11:53 01:24 Video by: Yinka OYETADE The last known pair of Rembrandt portraits in private hands sold for more than £11 million ($14 million) at Christie's in London on Thursday -- nearly 200 years after they first went under the hammer at the auction house...
Festival Forum: Meeting-In-Progress at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 15, 2021 Where can we find each other? And where do we go from here? Happening on Saturday, January 23 2021, Festival Forum: Meeting-In-Progress discusses ideas, processes and ways forward in this new year of not-so-new normals...
An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artist interview interview An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Airlifted out of Vietnam as a teenager when Saigon fell, the Vietnamese American photographer makes no attempt to simplify the unbearably complex, and pits individual agency against huge geopolitical forces Dale Berning Sawa 7 December 2023 Share Installation view of Fourteen Views (2023), which represents a river journey from the Mekong to the Mississippi via Parisian water gardens, encompassing Vietnam, its colonisation by France and the military intervention by the US Photo: Jonathan Dorado, © MoMA In 2021, An-My Lê had an out-of-body experience in the Californian desert...
Crypto Investor Jehan Chu on Building a Collection of Contemporary Art and NFTs - Artsy Advertisement Art Market Crypto Investor Jehan Chu on Building a Collection of Contemporary Art and NFTs Reena Devi Apr 19, 2022 2:17pm Collector Jehan Chu in front of Machine Hallucinations - Space: Metaverse by Refik Anadol in partnership with Sotheby's at Digital Art Fair Asia 2021 in Hong Kong...
In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale ...
Tony Bennett, last of classic American crooners, dead at 96 - France 24 Skip to main content Tony Bennett, last of classic American crooners, dead at 96 Issued on: 21/07/2023 - 16:51 Modified: 21/07/2023 - 16:56 03:34 Video by: Eve JACKSON Follow Tony Bennett, the last in a generation of classic American crooners whose ceaselessly cheery spirit bridged generations to make him a hitmaker across seven decades, died Friday in New York...
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Halil Altindere, Carlos Amorales, Alexandre Arrechea, Yael Bartana, Rodrigo Braga, Aslan Gaisumov, Igor Grubic, Jason Hendrik Hansma, Oded Hirsch, Binelde Hyrcan, Angelica Mesiti, Deimantas Narkevicius, Jakrawal Nilthamrong, Jun Nguyen-Hatsushiba, Enrique Ramírez, Chulayarnnon Siriphol, Finger Pointing Worker, Guan Xiao Munchhausen trilemma is a thought experiment used to demonstrate the impossibility of proving any truth...
J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next J’ai pleuré devant la fin d’un manga Exhibition Ceramic, drawing, film, lithography / engraving.....
In Ningwasum , Subash Thebe Limbu explores Adivasi Futurism, a concept he has developed over a number of years, inspired by the writings of Octavia Butler, Afrofuturism, Indigenous Futurism, and various Adivasi, Janajati, feminist, queer, and Dalit movements...
Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction...
Marc Desgrandchamps — Silhouettes — Musée d'Art Contemporain [mac], Marseille — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Marc Desgrandchamps — Silhouettes — Musée d'Art Contemporain [mac], Marseille — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Marc Desgrandchamps — Silhouettes Exposition Peinture Marc Desgrandchamps, Sans Titre, 2015 (détail) Huile sur toile — 162 × 130 cm Courtesy de l’artiste et galerie Lelong & Co...