Intentionally Left Blanc

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Dr...

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...

Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Dr...

In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...

Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...

BOMB Magazine | Three Poems Necessary (Required) Cookies that the site cannot function properly without...

In 2010, Kadist Art Foundation, David Roberts Foundation and Nomas Foundation successively presented an exhibition of the work of Etienne Chambaud in collaboration with Vincent Normand: The Siren’s Stage / Le Stade des Sirènes...

Anna Uddenberg first ever film to premiere in the United States to audiences online this December - FAD Magazine Skip to content By Mark Westall • 29 November 2023 Share — Black Cube Nomadic Art Museum has announced the debut of Useless Sacrifice , a short film created by renowned international Berlin-based Swedish artist Anna Uddenberg...

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Foreigners Everywhere is a series of neon signs in several different languages...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...

As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...

In a style that is unique of Tokoudagba, he evokes the kings, gods and their symbols related to the earth, water, air and fire, usually on a white background...

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...