The painting Index (Tokyo) includes an image of a protest march in Japan. There is some humor in this image and also cultural contextual confusion and displacement, embodied in the painting. The protest we can see on the clipping is against two things : 1)recently the Japanese government revised the constitution (some say illegally) so that the right to collective self-defense is possible; this basically re-militarizes Japan ending decades of pacifism and this sparked the largest public protests in recent years and 2) the protestors are also marching against re-starting nuclear power plants in Japan post-Fukushima.
Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats. From portraits made with pale tones to abstract paintings using brilliant fluorescent colors, and a series called Sign Boards, in which he applies paint directly to an easel, Minamikawa’s works assume a variety of forms. And by showing a number of works with different qualities alongside each other, the artist rearranges the meaning of each individual piece, and turns the space into a work of art. In recent years, Minamikawa has collaborated with performance artists as Ei Arakawa and others, and produced works that traverse artistic genres.
In Play , the image comes from a fashion magazine from the 1950’s (USA) whose theme is costume sportswear from the 19th century...
100 Days of Glorious Whale and Elephant Photography by Chris Fallows Home / Photography / Wildlife Photography Wildlife Photographer to Share 100 Images of Majestic Elephants and Whales in 2024 [Interview] By Jessica Stewart on December 15, 2023 Renowned South African wildlife photographer Chris Fallows is known for his artistic images that capture the spirit of the animal kingdom...
In Play , the image comes from a fashion magazine from the 1950’s (USA) whose theme is costume sportswear from the 19th century...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
The video work Japan Syndrome is a continuation of his lines of inquiry, taking post-Fukushima Japan as a case study...