46 x 61 cm
Calling attention to campaigns for land rights, survival, and sovereignty, Prabhakar Pachpute’s recent works consider how farmers in India use their bodies in performative ways during acts of protest. The oil painting Inclined uncertainties depicts a grotto-like city atop a boat carried by headless human bodies. The waterless boat navigates through a desolate landscape, propelled forward by the faceless humans, who appear to be holding the cumbersome structure together. Not unlike the story of Sisyphus or Atlas, the allegorical implication of Pachpute’s painting is that holding aloft this boat is at once a heavy burden for the figures, but also their only sense of purpose. The physical and psychological burden ultimately creates a sense of kinship and solidarity amongst them, illustrating a key facet of protest and resistance in which the individual is subsumed into the collective.
Prabhakar Pachpute calls attention to issues concerning land politics, industry, and labor through a multimedia practice that includes drawing, painting, sculpture, animation, and murals. Best known for his site-specific charcoal wall drawings, Pachpute’s work references his own experiences growing up in a multi-generational coal mining and farming family. Employing surrealist motifs, the artist’s works are politically rooted depictions of characters that have experienced the seizure or ‘donation’ of their land for economic gain. Considering issues of exploitation through economic, social, and environmental lenses, the artist’s work critically reflects on evolving histories of familial attachment and physical ownership of agricultural and industrial resources.
Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...
In conversation with Nataša Petrešin-Bachelez Together they will talk about Marwa Arsanios’ last video “ Falling is not collapsing, falling is extending “, 2016, presented recently at the Hammer Museum (Los Angeles), that looks into the garbage crisis in Beirut and the city’s recent real estate boom...
Recovered Van Gogh Masterpiece Takes the Spotlight Again - Artcentron Home » Recovered Van Gogh Masterpiece Takes the Spotlight Again ART Feb 10, 2024 Ξ Leave a comment Recovered Van Gogh Masterpiece Takes the Spotlight Again posted by ARTCENTRON Vincent van Gogh, The Parsonage Garden at Nuenen in Spring (1884)...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Silent Rooms, Silent Memories: “Flowers” by Drama Box | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Drama Box May 16, 2019 By Akanksha Raja (1,155 words, 5-minute read) It’s a series of plastic white flower-fans lining the fence of 74 Jalan Kelabu Asap that lets me know that I’ve arrived at the site of Drama Box’s first work of 2019, Flowers , an experiential installation set in a quaint two-storey landed house in Chip Bee Gardens...
L’exigence de la saudade Curated by Zasha Colah and Sumesh Sharma, Clark House Initiative, Bombay With: Padmini Chettur, Prajakta Potnis and Zamthingla Ruivah And the participation of: Nalini Malani, Krishna Reddy, Jean Bhownagary, Maarten Visser Intervention in the public space by: Justin Ponmany, Prabhakar Pachpute The exhibition brings together three artists from distant geographies within India – Padmini Chettur, a contemporary dancer, Prajakta Potnis, a visual artist, and Zamthingla Ruivah, a master weaver, whose works are conceptually engaged with remnant cultural forms, not as endangered traditions, rather to reinvent them in the present...
Zeppelintribüne (2002) was shot near the Zepelintribune in Nuremberg, designed by Albert Speer, chief architect of the Third Reich...
Through a hand-painting process, Shi Guowei created Manufactured Landscape ...
Yoshinori Niwa’s investigation into the monetary system and material goods is witnessed across a range of his works...
Untitled exemplifies the format that Anna Bella-Papp most commonly works in, using her hands to create delicate tablet-like reliefs within a rectangular form made out of clay...
Arima’s free brushstrokes gesture towards traditions in Expressionist painting, and Ticket could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content...
JAKE! @ Betty Cuningham Gallery | Painters' Table Skip to main content JAKE! @ Betty Cuningham Gallery https://johnmitchellworld.wordpress.com/2020/02/19/jake/ Jake Berthot, Chapel Trail Near Alter Road, 2000, oil on panel, 26 3/8 x 26 1/8 inches (courtesy of Betty Cuningham Gallery) John Mitchell visits the exhibition JAKE! at Betty Cuningham Gallery, New York, on view through February 23, 2020...