Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war. Located on the cease-fire line, residents of Majdal Shams are reminded of this tragic separation on a daily basis. During the war the majority of the local population were exiled to Syria. Through the configuration of the mirrors, the Israeli and Syrian military infrastructures which enforce the separation, are placed in the same line of sight, just as the population on both sides of the border are subject to the same oppression. They share an equal sense of lost identity and erased memory. For the artist, the work represents a fragmented vision of her fragmented self, set against a beautiful landscape that she feels her own.
Randa Maddah, was born 1983 in Majdal Shams, occupied Syrian Golan. Her practice is often rooted in the notion of homeland, working closely around the subject of Madjal Shams and the inextricable ties to war, homeland, borders and exile. With formal training in sculpture and etching, Maddah’s work frequently takes the form of realistic depictions of bodies and landscapes, warped by weight of experience, the faces and forms of which are mirrored in her pencil drawings. Maddah also works with video, meditating on the experience of dual exile and attempts to sustain the possibility for return.
He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
Weekly Southeast Asia Radar: Burmese hip hop, and queer Vietnamese singer Tuimi | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Via Myanmar Times August 28, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Anne Deguelle — L’Arctique fantôme Exhibition Photography Upcoming Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme In about 2 months: January 27 → February 17, 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
© 2023 All rights reserved - The Eye of Photography Jour de pêche - Russie 2019 © Corinne Vachon Ali Khan - Afghanistan 2019 © Corinne Vachon Rosan Gela - Pérou 2022 © Corinne Vachon Shambi Balas - Afghanistan 2019 © Corinne Vachon Jeunes Nénètses - Russie 2018 © Corinne Vachon On the occasion of PhotoSaintGermain and PARIS PHOTO, DartBLAY a gallery in Paris since 2011, presents SI LOIN, SI PROCHE, an exhibition displaying the photographic diary of Corinne Vachon, around the world...
In this film is the story of two neighboring yet philosophically opposing nations: Russia and Norway...
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exhibition Drawing, installation, mixed media Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Ends in about 2 months: February 3 → March 30, 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...
In Escenarios (Sceneries) Maya Watanabe films forgotten wastelands through a series of 360° camera movements that highlight the dramatism and visual richness of terrain that would be otherwise forgotten...
Bath Time by Sharif Waked is a short video based on the tragi-comic outcome of the Israeli Blockade and the wars in Gaza...
Artists Install AR Pig on UK buildings exposing links to harmful industrial food system - FAD Magazine Skip to content By Mark Westall • 29 November 2023 Share — A virtual, female pig has appeared on top of Barclays’ Canary Wharf HQ, two Tesco stores in London and Liverpool, DEFRA and other locations in a new experimental augmented reality (AR) app created by artists, Naho Matsuda and collective A Drift of Us...
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...
© 2023 All rights reserved - The Eye of Photography @ Elina Brotherus @ Omar Victor Diop @ Ousmane Goïta @ Julia Le @ Benjamin Decoin @ Olivier Goy From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
SEE WHAT SEE: SEA AT SGIFF 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 28, 2021 By ants chua, Ruby Thiagarajan and Janiqueel (1,200 words, 4-minute read) In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF)...
This short looped-video NFT Invertebrate Interactions by Sofia Crespo aims to capture generated impressions of diatoms...