Serious Games 3, Immersion
2009 - Film & Video (Film & Video)
20 min
Harun Farocki
For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations. One of their projects consists in using virtual reality (environments created to simulate this world) for therapeutic reasons for soldiers suffering traumas after the Iraq war. The double projection creates a parallel between animations and testimonies by soldiers reliving their mission, the explosions, gunshots and ambushes, their fears and their guilt. The chosen direct rendering and simplicity of the edit places us like the voyeur of a personal and difficult experience. The end is disconcerting since the last soldier, who one minute had been pleading his therapist to stop the program, looks at his audience and smiles with a detachment that sheds doubt on the authenticity of his account. The Virtual Iraq program is closer to a virtual game than a therapeutic program. Immersion continues to explore the impact of new technologies on society, the relations between virtual reality and the military world and how the scenarios developed as video games are used as training tools as much as a therapy. ( Read Artslant )
In the 1970s and 80s, the feature films Harun Farocki made contributed to theorizing essay-films, a cinema genre that juxtaposes archival images of different sources (news, film industry) with voiceover commentaries. More specifically it is a critical and political approach to the image that has characterized his oeuvre since the start, a point of view on the connections between war, technology and capitalism. In 1969, he makes one of his first films in 16mm called Inextinguishable Fire in which he appears as a TV presenter reading out the testimony of a Vietnamese victim of a Napalm attack. The subsequent images are like an educational documentary, an austere thesis on the origins of napalm production and the involvement of workers, students and engineers in what was largely used as a weapon against civilians. Years later, for the trilogy Eye/Machine (2001-2003), Farocki collects sequences filmed during the Gulf War, like images from projectiles, juxtaposed with images produced by machines made for surveillance, recognition and localization. The art historian Hal Foster describes Farocki’s work like a genealogy of ‘visual instrumentalization’ following the evolution of image technologies and their roles in power struggles and the exercise of control. At the beginning of the 1990s he begins to imagine double projections that were presented in cinemas and soon in galleries and institutions that could easily adapt to this mode of projection. The evolution of the forms of presentation and distribution of his work explains his presence in various economies and most recently that of the art market. Harun Farocki was born in 1944 in Neutitschein, Czech Republic. He lived and worked in Berlin where he passed away in 2014.
Colors:
Related works sharing similar palette
© » KADIST
Yee I-Lann
20207-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
© » ARTS EQUATOR
Quiz: What's Your Guilty Pleasure? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kristina Flour via Unsplash November 11, 2021 It’s 2021 – and you’re constantly being told to be your best self! There’s that pile of books waiting to be read, countless browser tabs open with must-read articles, and a list of podcasts that are supposed to make you smarter...
© » ART & OBJECT
Valuable Paintings Found in Unusual Places | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ARTSJOURNAL
Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint - The New York Times Arts | Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint https://www.nytimes.com/2024/02/12/arts/chagall-moma-return-over-vitebsk.html Share full article 25 Advertisement SKIP ADVERTISEMENT For years, “Over Vitebsk” occupied a central place in the collection of the Museum of Modern Art, which spoke of Marc Chagall’s painting of his hometown in the Russian empire as an important part of its holdings...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Art in the time of COVID-19 and more | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Philippine Daily Inquirer March 19, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » KADIST
Victor & Sergiy Kochetov
1992Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region...
© » ARTS EQUATOR
Pho Ben Doi art exhibition returns to Da Lat in December | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Artwork by Lieu Nguyen December 21, 2018 The third edition of Da Lat’s annual Pho Ben Doi art exhibition will feature more than 125 artworks by nearly 50 young, well-known Vietnamese and international artists and experts in archeology, architecture, and music from December 8, 2018 to February 28, 2019...
© » KADIST
Leslie Shows
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Rashomon in KL; Burmese cartooning pioneers | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar TRBANPHOTO March 5, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » LE MONDE
« L’Art du livre », de Michel Melot et Anne Zali : la splendeur à l’ouvrage Offrir Le Monde Article réservé aux abonnés Reliure originale en soie violette brodée d’or, fleurs et ornements en soie, chiffre de Marie de Médicis et couronne en perles fines, dos long à semé de fleurs de lis dans un encadrement, ruban de gros de Tours parme, avec lisière en dentelle dorée...