30 min 35
The video I am protesting against myself presents a puppet in a garbage can citing numerous reasons why one should protest against it. Ciprian Muresan utilizes the comic effects typical of popular culture and the media. Progressively during the video, one appropriates the reasons for this characters discontent. This work has particular resonance at the moment in the midst of globalization and Capitalist excesses, since indignant voices are rising. The project is done in collaboration with Gianina Carbunariu, a contemporary Romanian author and stage director, who also wrote the script.
Ciprian Muresan appropriates historical, political, social and cultural (essentially artistic, literary and cinematographic) references which he re-contextualizes. He analyzes the mechanisms de diffusion of culture, the ambivalent relations between the memory of recent history and the experience of current realities, as well as the relations between political power, religious power and civil society. With simple gestures, themes and methods borrowed from popular culture, he tackles art in an expiatory manner, returning importance to personal expression and experience. Ciprian Muresan belongs to the generation after the fall of the former Communist regime who deal the aftermath of political and social history of his country, in a post-conceptual mode, without necessarily inscribing it within the traditional East/West opposition. Instead, on the contrary, he approaches this history as an integral part of a larger whole, and is interested in questions linked to the disturbances in contemporary society following the declining of Modernist utopias and in the impact of new technologies on our visual culture. Ciprian Muresan was born in 1977 in Cluj, Romania. He lives and works in Cluj, Romania.
Ciprian Muresan asked a group of protagonists to wear a monk’s robe and copy a certain number of artworks and texts from exhibition catalogues...
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exposition Dessin, installations, techniques mixtes Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Encore environ 2 mois : 3 février → 30 mars 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exhibition Drawing, installation, mixed media Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Ends in about 2 months: February 3 → March 30, 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...
Two Pratt Graduate Programs Moving to Brooklyn Navy Yard Skip to content A view of Dock 72 with construction cranes in the background (photo by Rhea Nayyar/ Hyperallergic ) Two of Pratt Institute’s graduate programs are decamping from the Pfizer building in Bedford-Stuyvesant for a bayside view and expanded facilities at the Brooklyn Navy Yard later this year...
Frequencies of Tradition, Monthly film screenings at The Roxie Dates: Wednesdays, April 20, May 18, June 15, July 13, 2022, 6:45 pm (doors open 6:15 pm*) Location: Little Roxie Theatre, 3117 16th Street, San Francisco, CA 94103 Fiona Tan, Ascent (2016), 80:00 mins Wednesday, April 20, 2022, 6:45 pm (doors open 6:15 pm) Ascent (2016) reflects on Japan’s Mount Fuji and its great significance to the country and its people...
Ciprian Muresan asked a group of protagonists to wear a monk’s robe and copy a certain number of artworks and texts from exhibition catalogues...
Forgotten Statues , 2020 continues the artist’s reflections on power and the fragility of works of art...
This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito...
The Dud Effect is a film that revisits the fear of nuclear attacks during the Cold War by staging the firing of a R-14 missile by a solitary soldier on the site of a real Soviet launch base installed in Lithuania...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...