4:57 minutes (looped)
Naufus Ramírez-Figueroa’s performance Illusion of Matter establishes a dream state through a composition of motifs that were drawn from the artist’s childhood memories. Ramírez-Figueroa recreated the components of the dream as giant props made out of polystyrene, and set in a colorful yellow and orange mise-en-scene. Throughout the performance, the props and set are activated and demolished by children under the artist’s direction. The performance culminates with Ramírez-Figueroa walking slowly towards the camera holding a ghostly mask/figure in front of his body. This work was the first in an ongoing commission by the performance network Corpus, for which Ramírez-Figueroa attempted to exhaust his interest into the Guatemalan Civil War.
In Naufus Ramírez-Figueroa’s practice, performance and narrative are interwoven through the use of sculptural objects that link pre-Columbian civilizations, seditious brotherhoods, evangelism, and imperialism. In an unsettling dream-like fashion, many of the artist’s works operate as non-narrative fictions that depart from his personal experience of Guatemalan history—particularly the country’s civil war that ran from 1960 to 1996 and in which members of his family took an active part—but always distancing himself from a documentary take on history. Thus, the artist creates fable-like situations, which mix memories and visions from his childhood with a dose of pathos and humor, to address cultural and political events such as the war’s genocide of Mayan populations, the infiltration of Mormon missionaries in the country, and the contemporary followers of apocalyptic conspiracies.
In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...
Morehouse donation: A New York businessman donated a $1 million art collection featuring mostly Black and LGBTQ artists | CNN A New York businessman donated a $1 million art collection to Morehouse College By Alaa Elassar , CNN Updated 4:03 AM EST, Sun December 13, 2020 Link Copied! Ad Feedback McArthur Binion, "DNA:Study," 2020 ©McArthur Binion...
Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives...
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BSA Images Of The Week: 01.21.24 | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY “Art is not a mirror held up to reality, but a hammer with which to shape it.” – Bertolt Brecht Welcome to BSA Images of the Week! Our current reality appears quite bent, and maybe art has the power to straighten it out, but you won’t see a lot of political stuff on the streets right now ironically...
In Guardian 2 Naufus Ramírez Figueroa explores the historical memory and political reality of the ruins of Kawinal, an archeological site of postclassic Mayan culture that was flooded in order to construct the hydroelectric dam of Chixoy in 1975 in a supposed effort to bring electricity to the country...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Asociación de Mujeres Tejiendo sueños y Sabores de Paz de Mampuján, Pavel Aguilar, Carlos Amorales; Jonathas de Andrade, Edgardo Aragón, Fredi Casco, Miguel Covarrubias, Sam Durant, León Ferrari, Jocelyn Gardner, Beatriz González, Pierre Huyghe, Cristóbal Lehyt, Jesse Lerner, Teresa Margoles, Guillermo Kuitca, Jesse Lerner, Noé Martinez, Alfredo López Morales, Cildo Meireles, Eustaquio Neves, Nohemí Pérez, Naufus Ramírez Figueroa, Antonio Reynoso, Rometti Costales, Pablo Swezey, Carla Zaccagnini...