33.5 inches in diameter
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s. I am the Greatest presents the famous quote by Mohammad Ali to think about his important presence in the African American community. In dialogue with the painting I am a Man, also in the Kadist collection, this assertion that begins the same way takes the line from the protest poster several steps further. Ali never asserted that he was the greatest boxer or athlete, but had the audacity to claim that he was THE GREATEST [human being] of all time. For a man who grew up in the segregated south to rise to Ali’s iconic status and to be able to confidently and proudly vocalize his superiority was one of the most powerful, symbolic, and memorable moments in the Civil Rights struggle. Monumentally inflating the scale of the button embodies the ‘larger than life’ presence of Ali as an icon for African Americans to stand up and not only assert their humanity, but to be confident in their ability to succeed and rise up against all obstacles society placed in front of them.
Employing the visual language and terminology of mass media, and appropriating symbols and images from popular culture, Hank Willis Thomas’ work seeks to question and subvert established definitions and positions with regards to personal identity and the narrative of race. Working across installation, photography, video, and media work, Thomas maintains his photo conceptualist roots, primarily taking source material from found photographs and archives. These images form the basis from which the artist seeks to uncover the fallacies that history claims as truth. His work illustrates how the way history is represented and consumed reinforces generalizations surrounding identity, gender, race and ethnicity, and that as an artist he has an opportunity to expose or to revise those histories from the points of view of the oppressed.
Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Jean Miotte Exposition Peinture Jean Miotte, Sans titre, 2000 (Détail) Acrylique sur toile — 99,1 × 81,3 × 2,5 cm Courtesy of the artist & Galerie Almine Rech, Paris Jean Miotte Encore 11 jours : 18 novembre → 22 décembre 2023 Jean Miotte (1926-2016), qui a exposé à Paris avec Joan Mitchell, Jean-Paul Riopelle et Sam Francis, est une des figures éminentes de l’abstraction lyrique...
What Color is Luke Murphy’s outstanding digital painting that elegantly loops in nonstop motion...
Jeff Koons Killed Her Review - The New York Times Art & Design | Jeff Koons Killed Her Review https://www.nytimes.com/2023/12/17/arts/design/jeff-koons-brooklyn-rail-tulips-golan.html Share full article 271 Advertisement SKIP ADVERTISEMENT It all began with the flowers, and the hands holding them aloft...
Interview: Chelsea Wolfe Talks Witchcraft and Her New Album | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Chelsea Wolfe Says Witchcraft and Sobriety Informed Her Latest Album Krysta Fauria, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Chelsea Wolfe performing in June 2022...
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
Meet me in the darkroom: Paul Mpagi Sepuya’s 25 years of Queer reflexivity - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Dark Room Model Study (0X5A1728) , 2021...
Where to Submit Your Work: A Curated List of Websites that Feature Art + Illustration – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit So you’ve just completed your latest creative project or maybe you’ve been building up your portfolio for a while and finally feel ready to share, what next? It’s important to be confident and put yourself out there, but let’s first talk about what all this process entails in order to make the most of your time and energy...
The Yok & Sheryo: “Yeahnahnesia” A Mystical Land and Guide | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the realm where imagination dances with audacity, Yok & Sheryo, the dynamic duo hailing from the crossroads of New York, Australia, and Asia, have conjured up a whimsical masterpiece, aptly titled “Yeahnahnesia.” Published in collaboration with the Art Gallery Western Australia, this book is a memoir and fantasy of creativity and storytelling that makes a reader question the boundaries of reality and fiction...
Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Almine Rech Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Almine Rech Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations Exhibition Installation, painting, sculpture Seyni Awa Camara, John McAllister, Sculpting Earth, Painting Sensations, 2023 Galerie Almine Rech — Photographie : DR Seyni Awa Camara — John McAllister Sculpting Earth, Painting Sensations Ends in 13 days: January 11 → February 24, 2024 Almine Rech is pleased to present Sculpting Earth, Painting Sensations, an exhibition that creates a unique dialogue between the artists Seyni Awa Camara and John McAllister...
Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically...