33.5 inches in diameter
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s. I am the Greatest presents the famous quote by Mohammad Ali to think about his important presence in the African American community. In dialogue with the painting I am a Man, also in the Kadist collection, this assertion that begins the same way takes the line from the protest poster several steps further. Ali never asserted that he was the greatest boxer or athlete, but had the audacity to claim that he was THE GREATEST [human being] of all time. For a man who grew up in the segregated south to rise to Ali’s iconic status and to be able to confidently and proudly vocalize his superiority was one of the most powerful, symbolic, and memorable moments in the Civil Rights struggle. Monumentally inflating the scale of the button embodies the ‘larger than life’ presence of Ali as an icon for African Americans to stand up and not only assert their humanity, but to be confident in their ability to succeed and rise up against all obstacles society placed in front of them.
Employing the visual language and terminology of mass media, and appropriating symbols and images from popular culture, Hank Willis Thomas’ work seeks to question and subvert established definitions and positions with regards to personal identity and the narrative of race. Working across installation, photography, video, and media work, Thomas maintains his photo conceptualist roots, primarily taking source material from found photographs and archives. These images form the basis from which the artist seeks to uncover the fallacies that history claims as truth. His work illustrates how the way history is represented and consumed reinforces generalizations surrounding identity, gender, race and ethnicity, and that as an artist he has an opportunity to expose or to revise those histories from the points of view of the oppressed.
Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Jean Miotte Exposition Peinture Jean Miotte, Sans titre, 2000 (Détail) Acrylique sur toile — 99,1 × 81,3 × 2,5 cm Courtesy of the artist & Galerie Almine Rech, Paris Jean Miotte Encore 11 jours : 18 novembre → 22 décembre 2023 Jean Miotte (1926-2016), qui a exposé à Paris avec Joan Mitchell, Jean-Paul Riopelle et Sam Francis, est une des figures éminentes de l’abstraction lyrique...
What Color is Luke Murphy’s outstanding digital painting that elegantly loops in nonstop motion...
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
Interview: Chelsea Wolfe Talks Witchcraft and Her New Album | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Chelsea Wolfe Says Witchcraft and Sobriety Informed Her Latest Album Krysta Fauria, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Chelsea Wolfe performing in June 2022...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
If you’re looking for a new way to electrify your social media channels, explore dizzying generative animation tools to enhance your art practice, or have a tight deadline for a campaign that needs a mind-melting visual effect, there’s a new graphics tool to add to your arsenal – and you don’t even need to learn to code...
Jeff Koons Killed Her Review - The New York Times Art & Design | Jeff Koons Killed Her Review https://www.nytimes.com/2023/12/17/arts/design/jeff-koons-brooklyn-rail-tulips-golan.html Share full article 271 Advertisement SKIP ADVERTISEMENT It all began with the flowers, and the hands holding them aloft...
New Mochi Pizza Restaurant Is Offering Free Slices in Palo Alto | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Food Free Mochi Pizza For National Pizza Day? Yes, Please Alan Chazaro Feb 6 Save Article Save Article Failed to save article Please try again Email A new Peninsula pizzeria believes mochi and pizza are the perfect combination...
Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically...
Alternate Realities Thinking and Talking about Arts and Culture in Southeast Asia Articles Looi Wan Ping, Tiger Tiger Pictures January 16, 2020 By Poh Yong Han (1,279 words, 7-minute read) I Dream of Singapore follows an injured Bangladeshi migrant worker, Feroz, who is temporarily residing at a Transient Workers Count Too (TWC2) shelter, Dayspace, as he waits for his case to be sorted out so he can make his compensation claims...
Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Tia-Thuy Nguyen — Sparkle in the vastness Exhibition Painting Tia Thuy Nguyen, série I, my, me, cloud (2018-2023) Courtesy de l’artiste et galerie Almine Rech Tia-Thuy Nguyen Sparkle in the vastness Ends in 13 days: January 11 → February 24, 2024 “Sparkle in the vastness", Tia-Thuy Nguyen’s first show with Almine Rech presents a suite of more than twenty multi-media paintings from the artist’s ongoing series “I, my, me, cloud” (2018–)...
Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’...