33.5 inches in diameter
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s. I am the Greatest presents the famous quote by Mohammad Ali to think about his important presence in the African American community. In dialogue with the painting I am a Man, also in the Kadist collection, this assertion that begins the same way takes the line from the protest poster several steps further. Ali never asserted that he was the greatest boxer or athlete, but had the audacity to claim that he was THE GREATEST [human being] of all time. For a man who grew up in the segregated south to rise to Ali’s iconic status and to be able to confidently and proudly vocalize his superiority was one of the most powerful, symbolic, and memorable moments in the Civil Rights struggle. Monumentally inflating the scale of the button embodies the ‘larger than life’ presence of Ali as an icon for African Americans to stand up and not only assert their humanity, but to be confident in their ability to succeed and rise up against all obstacles society placed in front of them.
Employing the visual language and terminology of mass media, and appropriating symbols and images from popular culture, Hank Willis Thomas’ work seeks to question and subvert established definitions and positions with regards to personal identity and the narrative of race. Working across installation, photography, video, and media work, Thomas maintains his photo conceptualist roots, primarily taking source material from found photographs and archives. These images form the basis from which the artist seeks to uncover the fallacies that history claims as truth. His work illustrates how the way history is represented and consumed reinforces generalizations surrounding identity, gender, race and ethnicity, and that as an artist he has an opportunity to expose or to revise those histories from the points of view of the oppressed.
Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Jean Miotte Exposition Peinture Jean Miotte, Sans titre, 2000 (Détail) Acrylique sur toile — 99,1 × 81,3 × 2,5 cm Courtesy of the artist & Galerie Almine Rech, Paris Jean Miotte Encore 11 jours : 18 novembre → 22 décembre 2023 Jean Miotte (1926-2016), qui a exposé à Paris avec Joan Mitchell, Jean-Paul Riopelle et Sam Francis, est une des figures éminentes de l’abstraction lyrique...
What Color is Luke Murphy’s outstanding digital painting that elegantly loops in nonstop motion...
Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious...
Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations Exposition Installations, peinture, sculpture Seyni Awa Camara, John McAllister, Sculpting Earth, Painting Sensations, 2023 Galerie Almine Rech — Photographie : DR Seyni Awa Camara — John McAllister Sculpting Earth, Painting Sensations Encore 13 jours : 11 janvier → 24 février 2024 Almine Rech présente Sculpting Earth, Painting Sensations, une exposition créant un dialogue unique entre les artistes Seyni Awa Camara et John McAllister...
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
Alternate Realities Thinking and Talking about Arts and Culture in Southeast Asia Articles Looi Wan Ping, Tiger Tiger Pictures January 16, 2020 By Poh Yong Han (1,279 words, 7-minute read) I Dream of Singapore follows an injured Bangladeshi migrant worker, Feroz, who is temporarily residing at a Transient Workers Count Too (TWC2) shelter, Dayspace, as he waits for his case to be sorted out so he can make his compensation claims...
New Mochi Pizza Restaurant Is Offering Free Slices in Palo Alto | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Food Free Mochi Pizza For National Pizza Day? Yes, Please Alan Chazaro Feb 6 Save Article Save Article Failed to save article Please try again Email A new Peninsula pizzeria believes mochi and pizza are the perfect combination...
The Yok & Sheryo: “Yeahnahnesia” A Mystical Land and Guide | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the realm where imagination dances with audacity, Yok & Sheryo, the dynamic duo hailing from the crossroads of New York, Australia, and Asia, have conjured up a whimsical masterpiece, aptly titled “Yeahnahnesia.” Published in collaboration with the Art Gallery Western Australia, this book is a memoir and fantasy of creativity and storytelling that makes a reader question the boundaries of reality and fiction...
If you’re looking for a new way to electrify your social media channels, explore dizzying generative animation tools to enhance your art practice, or have a tight deadline for a campaign that needs a mind-melting visual effect, there’s a new graphics tool to add to your arsenal – and you don’t even need to learn to code...
Golden Globes 2024 Snubs and Surprises: ‘Past Lives,’ Taylor Swift and More - The New York Times Advertisement SKIP ADVERTISEMENT The nominations for the 81st Golden Globes , announced Monday morning, brought good tidings for box-office titans “Barbie” and “Oppenheimer,” though some of the other contenders hoping to break through were dealt an early setback...
Jeff Koons Killed Her Review - The New York Times Art & Design | Jeff Koons Killed Her Review https://www.nytimes.com/2023/12/17/arts/design/jeff-koons-brooklyn-rail-tulips-golan.html Share full article 271 Advertisement SKIP ADVERTISEMENT It all began with the flowers, and the hands holding them aloft...