With a keen interest in the stranger corners of the long human story, and a persistent interest in the supernatural, the transcendent, and the psychedelic, Joachim Koester’s work follows the artists own undying interest in physical and psychological limits. While exploration was a matter of crossing geographies before the 19th century, the 20th century brought the mental exploration of our unconscious, hastened by the discovery of psychoanalysis. Koester is interested in visualizing specific events—those forgotten, overlooked, or suppressed by the official historical record—in order to reintroduce them into collective memory. Using 16mm documentary films, photographic series or books, his work transforms stories into images and vice versa, appearing as a quest for the invisible and the vanishing.
Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
One Universe, One God, One Nation was inspired by Hannah Arendt’s analysis of space exploration and by the astrological horoscope of Chinese political and military leader Chiang Kai-shek (1887-1975)...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...