With a keen interest in the stranger corners of the long human story, and a persistent interest in the supernatural, the transcendent, and the psychedelic, Joachim Koester’s work follows the artists own undying interest in physical and psychological limits. While exploration was a matter of crossing geographies before the 19th century, the 20th century brought the mental exploration of our unconscious, hastened by the discovery of psychoanalysis. Koester is interested in visualizing specific events—those forgotten, overlooked, or suppressed by the official historical record—in order to reintroduce them into collective memory. Using 16mm documentary films, photographic series or books, his work transforms stories into images and vice versa, appearing as a quest for the invisible and the vanishing.
Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
His untitled paintings express his concern regarding perception in abstract form...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders...
“The Lebanese wars of the past three decades affected Lebanon’s residents physically and psychologically: from the hundred thousand plus who were killed; to the two hundred thousand plus who were wounded; to the million plus who were displaced; to the even more who were psychologically traumatized...
In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...
Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...