Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious. Though tied to the ceiling by a chain, the suggested figure is literally light on her feet, with a pointed boot hovering just above the gallery floor. Non-parallel lines and inconsistent angles lend the sculpture a sense of airy haphazardness. Though seemingly a jumble, the found pipes and slices of metal never fail to align in formally pleasing arrangements, mimicking the character’s frivolous, seemingly accidental elegance.
The Los Angeles–based artist Jason Meadows uses found and manufactured objects to craft idiosyncratic assemblages. Though smart and studied, his constructions are hardly academic. Rich in character development, narrative, and humor, they suggest a position of critical kinship with comics, cartoons, and Hollywood films.
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition...
In his photographic series Périphérique (2005–2008), Mohamed Bourouissa used the composition of classical paintings to stage the portrait of friends and young people in the banlieue s (suburbs)...
Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations Exposition Installations, peinture, sculpture Seyni Awa Camara, John McAllister, Sculpting Earth, Painting Sensations, 2023 Galerie Almine Rech — Photographie : DR Seyni Awa Camara — John McAllister Sculpting Earth, Painting Sensations Encore 13 jours : 11 janvier → 24 février 2024 Almine Rech présente Sculpting Earth, Painting Sensations, une exposition créant un dialogue unique entre les artistes Seyni Awa Camara et John McAllister...
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
Jeff Koons Killed Her Review - The New York Times Art & Design | Jeff Koons Killed Her Review https://www.nytimes.com/2023/12/17/arts/design/jeff-koons-brooklyn-rail-tulips-golan.html Share full article 271 Advertisement SKIP ADVERTISEMENT It all began with the flowers, and the hands holding them aloft...
Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Nina Azoulay — Comme un rond dans un carré Exhibition Installation, sculpture Closing Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Ends in 7 days: January 11 → February 18, 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...