6:13 minutes
In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red. Two muscular men with sledgehammers simultaneously pummel the blocks where Gilmore attempts to stand. Although we can only see the artist from the waist down, her body language reveals apprehension: her hands, tense, press against the wall in an attempt to maintain balance while the men come dangerously close to smashing her bare legs. Gilmore’s attire—red heels, a black skirt, and a pink top—together with the pink walls, are all symbolically charged as expressions of the female gender. The aggressive actions we see in Higher Horse are consistent with her investigation into the language of damage, destruction and rage, which in this case, is inflicted by the male body as she attempts to remain above, unharmed.
Whether through live or filmed performances, or sculptural works where we can see traces of actions, Kate Gilmore’s practice always departs from the female body. Through her own physicality, and often using the language of destruction and rage, she creates works that bring into question social constructs relating to sex, gender, and most specifically, femininity. Although early in her career she often placed herself as the central protagonist, over the past few years she has invited other women to perform her pieces, and in some instances has even relied on audiences to activate works. A common feature of her work is the use feminine signifers—high heels, skirts, floral patterns, and specific color hues—which are set in stark contrast with physically demanding actions that are aggressive in nature and would commonly be associated with a masculine ethos. By tearing dry walls with sledge hammers, bashing cubes of metal and plaster, smashing glass containers full of paint—Gilmore’s gestures embody a form of resistance seeking to break free from the norms that constrict femininity, all of this articulated through and from the female body.
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery...
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...