16 parts: 10 parts 29.7 x 42 cm, 6 parts 21 x 29.7 cm
HFT The Gardener/Diagrams exemplifies Suzanne Treister’s interest in esoterica , cybernetic awareness and hallucinatory aesthetics as an emanation and contrast to the real world through the exploring circulations of power. Her fictional character Hillel Fischer Traumberg — a banker turned ‘outsider artist’ — is a HFT, a High Frequency Trader. The character is also a contemporary vision of HCE, the hero of James Joyce in Finnegans Wake , who struggles to wake up in the tumult of dissolving boundaries between art, nature, language, money, mathematics and the trauma of history. The series HFT The Gardener is a collection of multiple explorations. In one work, the artist uses gematria , Hebrew numerology, to discover numerological equivalents of the botanical names of the psychoactive plants and cross-references them with companies in the Financial Times Global 500 Financial Index. The Diagrams work illustrates the various investigations into the representation of data circulating in the world of High Frequency Trading, concerning companies and the stock market alongside psychoactive drugs and shamanic cultures. Algorithms and diagrams describe Traumberg’s theories about the holographic nature of reality, art and consciousness. Traumberg, techno-shaman, transmutes the spiritual dimension of the universe and the hallucinogenic nature of capital into artistic forms.
In the 1980s, Suzanne Treister’s practice was concerned primarily with painting. Since the 1990s, Treister has been a pioneer in the practice of digital art and new media since. Her work explores new technologies and develops fictional worlds to create obscure collaborative international organizations. Her projects often require research and development over several years and can take different forms, including the internet as a medium and platform. The artist positions herself as an operator of fantastic reinterpretations of taxonomies and histories that have hidden existences, invisible forces that govern the world as well as military, paranormal or commercial organizations.
By Way of Revolution is a series that addresses the inherited histories of protest that inform contemporary social movements...
Siapa Nama Kamu? – Questions to Answer a Friend | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Via Artsy.net September 13, 2019 By Syed Muhammad Hafiz (1,823 words, 7-minute read) Recently I was asked by a friend, “How come I don’t see any local Malay artists in the current show at National Gallery Singapore (NGS)?”...
A Remote Viewing workshop with artists Myriam Lefkowitz and Simon Ripoll-Hurier 11:00am to 1:30pm or 2:30pm to 5:00pm In the heart of Silicon Valley in the 1970s, and under the aegis of the CIA, a group of scientists and psychics developed a technique intended to channel extra-sensory perceptions in an effort to produce descriptions of distant targets...
Year In Review: Tracing SG Theatre Together | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 10, 2020 ArtsEquator and Centre 42 jointly co-present the fourth edition of Year in Review, an annual discussion and round-up of the performing arts in Singapore...
Trial Begins in Rybolovlev's Case Against Sotheby's | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...