Herculine's Profecy
2017 - Sculpture (Sculpture)
243.84 x 121.92 cm
Juliana Huxtable
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom. This composition is stuck to a metal plate by a series of button magnets, with interjecting phrases on them. The juxtaposition between the mysogynistic, almost puritan poetry that stripes across the bottom and the powerful crouching pose that the femme demon assumes inverts the hegemonic text , instead creating a space of alterity. The semi-deconstructed book-cover, denotes the seepage of this potential ontological reality (contained within this unwritten book) into the world, allowing Juliana Huxtable’s creation an added layer of possibility.
Writer, artist, performer, and DJ Juliana Huxtable explores intersectional identity through her multidisciplinary practice, which seamlessly blurs the lines that typically separate methods of artistic production. Her work draws from her life experiences, as well as marginalized internet communities, oftentimes featuring hybrid humanoid forms that deeply probe representation of selfhood. In their self-consciously constructed visual ontologies, Huxtable develops a double edged practice that is, on the one hand, a critique of systemic sexist and misogynist power structures, body disassociation and dysmorphia, and on the other, a world-making that frames the radical potential of new technology. Avoiding concrete conclusions, these potentialities become propositions and provocations with which the audience must grapple.
Colors:
Related works sharing similar palette
© » KADIST
de montañas submarinas el fuego hace islas reader This digital publication was produced as part of the exhibition de montañas submarinas el fuego hace islas [from underwater mountains fire makes islands] , curated by Yina Jiménez Suriel and co-presented by KADIST and Pivô, which continues the curator’s research project, ‘de montanhas submarinas o fogo faz ilhas.’ Released on November 9, 2022, the reader brings together commissioned and translated texts by Félix Servio Ducoudray, Marta Aponte Alsina, Marilia Loureiro, Suely Rolnik, Olivier Marboeuf, Yásnaya Elena Aguilar, and Yina Jiménez Suriel...
© » THE INDEPENDENT
If a Hirst breaks your budget, don't despair | The Independent | The Independent Sign up to our free IndyArts newsletter for all the latest entertainment news and reviews Sign up to our free IndyArts newsletter Please enter a valid email address Please enter a valid email address SIGN UP I would like to be emailed about offers, events and updates from The Independent...
© » ARTS EQUATOR
Weekly Picks: Malaysia (3 – 9 Sept 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 3, 2018 Merdeka State of Mind documentary screenings , at APW, 8 & 9 Sept, 8pm A celebration of freedom of expression in Bangsar, this festival features two nights of timely documentary screenings: the subjects of child brides in Malaysia, and the Orang Asli blockades currently under siege in Kelantan...
© » KADIST
Abraham Cruzvillegas
2004Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
© » DAZED DIGITAL
Namasenda talks fashion fails, fashion grails and how much she loves to lie | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Q+A The Stockholm-based musician behind bangers like ‘No Regrets’ and ‘deathrow bby’ also reveals her sci-fi influences, her dream girl group line-up, and which Spice Girls track she’d love to cover 12 December 2023 Text Emma Elizabeth Davidson Namasenda Gig Style by Michele Baron 29 Namasenda is a self-confessed liar...
© » ARTS EQUATOR
On the Indonesian Dance Festival with Maria Darmaningsih | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 25, 2018 As part of ArtsEquator’s series of interviews profiling festival directors in Southeast Asia, we get to learn more about Maria Darmaningsih, co-founder and current artistic director of the bi-annual Indonesian Dance Festival (IDF), which was launched in 1992...
© » KADIST
Bárbara Wagner & Benjamin de Burca
2016Originally commissioned for the 32nd Sao Paulo Biennial, the film Estás vendo coisas (You are seeing things) depicts the subculture of Brega music, a fusion of American Hip Hop, Brazilian techno and Caribbean reggaeton that emerged in North Eastern Brazil over the last decade...
© » PRISHTINA INSIGHT
Outdated Staff Information Prevail Newly- Designed Kosovo Foreign Ministry’s Website - Prishtina Insight Prishtina Insight Features Outdated Staff Information Prevail Newly- Designed Kosovo Foreign Ministry’s Website by Antigonë Isufi 09/02/2024 Websites of Kosovo’s diplomatic mission continue having outdated information despite expectations of increase of visits after the visa-free regime entered into force...
© » HYPERALLERGIC
ArtTable Survey Sheds Light on Hardships Faced by Arts Workers of Color Skip to content Protesters outside the since-removed Roosevelt statue in front of the American Museum of Natural History in a 2017 protest (photo Hrag Vartanian/ Hyperallergic ) It’s no secret that women and non-men, especially those of color, have historically been subjected to structural pay inequities...
