he woke up with seeds in his lungs, 6

2020 - Installation (Installation)

38.1 x 30.48 cm

Prajakta Potnis


he woke up with seeds in his lungs by Prajakta Potnis is a set of x-ray films presented through backlit light boxes of found objects constructed to evoke the body or organs that turns the host into a foreign element. The title of the work is inspired by a story the artist came across during her research, according to which a man had swallowed seeds that started to grow inside his organs. In the work, interior scapes of the body appear as radioactive rays pass through various materials. In 2019, Potnis’s 75 year old uncle, who worked at a detergent factory four decades earlier, began experiencing chronic lung infections. These were later determined to be caused by traces of detergent frothing in his lungs, which impacted his ability to breath. Not only is this work an account of her uncle’s health struggles, but also documentation of the effects of unregulated labor conditions and unsafe factory environments in India. In this work, the proxied obstruction of the breathing organs evoke the omnipresent pollution in India’s large cities, and also the artist’s personal connection to this issue.


Prajakta Potnis’s work dwells between the intimate world of an individual and the world outside, which is separated sometimes only by a wall. The motif of the wall becomes a starting point within her work through which she addresses social and individual anxieties. Potnis effortlessly weaves complexities of emotions and the veracity of today’s times through her practice; she navigates from painting (for which she was trained), to photography, to site-specific sculptural installations, to public art intervention.


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Related artist(s) to: Prajakta Potnis » Kiran Subbaiah, » Nikhil Chopra, » Ravi Agarwal, » Shilpa Gupta, » Tejal Shah, » Abhishek Hazra, » Amar Kanwar, » Avinash Veeraraghavan, » Ayisha Abraham, » Baptist Coelho

Flight Rehearsals
© » KADIST

Kiran Subbaiah

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Flight Rehearsals focuses on Subbaiah’s desire to fly as a means to highlight the relationship between human ambition and limitations of the physical world...

Untitled (Sword)
© » KADIST

Shilpa Gupta

2009

In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...

100 Hand drawn maps of my country, Tel Aviv / Jerusalem
© » KADIST

Shilpa Gupta

2014

These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...

100 Hand drawn maps of my country, India
© » KADIST

Shilpa Gupta

2014

These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...

Untitled (Don’t See, Don’t Hear, Don’t Speak)
© » KADIST

Shilpa Gupta

2008

The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears...