Hat with photograph

- Installation (Installation)

30 x 23 x 33 cm

Hans-Peter Feldmann

location: Düsseldorf, Germany
year born: 1941
gender: male
nationality: German
home town: Dusseldorf, Germany

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Hats and photographs are regularly part of his appropriations and arrangements. He famously made numerous trips to England in search of old photographs when he was an antique dealer, and then worked in a gift store with his wife when he left the art world in the 1980s. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities. The mode of display is paired down to the simplest form of a plain square plinth that nevertheless conveys artistry. The presentation contributes to the re-orientation and re-contextualization of these assembled found objects taken from everyday life. Borsalino-type felt hats carry associations with artists such as Marcel Duchamp and Joseph Beuys therefore this work, like pair of shoes and teapot with shadow also in the collection, could be imagined as a form suggestive of portraiture.


Hans-Peter Feldmann creates intimate works that explore the link between art and entertainment. He does not date his projects, instead using the multiple as a snub to the art market and its suspicious sacralization. Rather than producing and inventing, he prefers to accumulate, recover, and collect. Feldmann assembles his findings, and collides them, letting the absurd and the poetic emerge. By giving images and objects back their strangeness, their tactile and emotional force, he expels the banal. His entire production questions the value of the artistic act. Through simple gestures and incongruous connections, Feldmann reminds us that art is an appropriation that populates our daily lives if we are willing to let it flourish.


Colors:



Ponderosa Pine IV
© » KADIST

Rodney Graham

1991

Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...

Tree on the Former Site of Camera Obscura
© » KADIST

Rodney Graham

1996

Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...

Drawing for SOTSB II
© » KADIST

Anne Imhof

2013

“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...

Rooftop Routine
© » KADIST

Christian Jankowski

2008

In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

Work No. 299
© » KADIST

Martin Creed

2003

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

Untitled
© » KADIST

Martin Kippenberger

1988

Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...

Monteverdi Ici
© » KADIST

Laure Prouvost

2018

Monteverdi Ici by Laure Prouvost is a non-narrative video work that depicts the back of the artist’s naked body standing, with her back towards the camera in a field...

9 O’clock? (my time is not your time)
© » KADIST

Tobias Rehberger

2007

9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...

Untitled (San Francisco)
© » KADIST

Edward Kienholz

1984

Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...

8 Possible Beginnings or: The Creation of African-America
© » KADIST

Kara Walker

2005

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...

Untitled (City Limits)
© » KADIST

Allen Ruppersberg

1970

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

Stong Sory Vegetables
© » KADIST

Laure Prouvost

2010

In Stong Sory Vegetables , Laure Prouvost explains that she woke up one morning and that some vegetables had fallen from the sky on her bed, making a hole in her ceiling...

Meeting #100
© » KADIST

Jonathan Monk

Meeting #100 is one in a series of text works by Jonathan Monk...

Pipe Opening
© » KADIST

Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...