Happy Birthday

2011 - Sculpture (Sculpture)

Jonathan Monk

location: Berlin, Germany
year born: 1969
gender: male
nationality: British
home town: Leicester, United Kingdom

Jonathan Monk re-fashions and re-examines seminal works of Conceptual and Minimal art through witty, ingenious, and irreverent means. Through wall paintings, monochromes, ephemeral sculpture, and photography, Monk reflects on the tendency of contemporary art to canabilize references, while paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner. Monk’s art practice does not follow any specific style; it doesn’t contain any common characteristic to identify his work at first glance. The amount and variety of his works poses questions about what supports them. Demystifying the creative process, Monk often employs appropriation, humor, irony, and anecdote in his work. To enter an exhibition of works by Jonathan Monk is like taking part in a treasure hunt, made up of digressions and space-time manipulations.


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Related works featuring themes of: » Appropriation Art, » Art in Art, » Contemporary Conceptualism, » Contemporary Pop, » British

Made in Heaven
© » KADIST

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2004

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© » KADIST

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The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Beyond Geography
© » KADIST

Li Ran

2012

In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody...

The Left Hand Can't See That the Right Hand is Blind
© » KADIST

Douglas Gordon

2004

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Wagon Wheel
© » KADIST

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The White Album
© » KADIST

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Untitled (Breathless)
© » KADIST

Ian Wallace

2000

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...

Plug the well ( July / August 2003)
© » KADIST

Keith Tyson

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Our love is like the Flowers, the Rain, the Sea and the Hours
© » KADIST

Martin Boyce

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In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...

There are veins in these lands, I
© » KADIST

Rodney McMillian

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In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

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Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

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Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...

Untitled (Women)
© » KADIST

Matt Lipps

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Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...

Making Chinatown
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Ming Wong

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Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown ...

Untitled (Men)
© » KADIST

Matt Lipps

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In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

Captain X
© » KADIST

Luke Butler

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In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...

The Making of Monster
© » KADIST

Douglas Gordon

1996

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...