Happy Birthday

2011 - Sculpture (Sculpture)

Jonathan Monk

location: Berlin, Germany
year born: 1969
gender: male
nationality: British
home town: Leicester, United Kingdom

Jonathan Monk re-fashions and re-examines seminal works of Conceptual and Minimal art through witty, ingenious, and irreverent means. Through wall paintings, monochromes, ephemeral sculpture, and photography, Monk reflects on the tendency of contemporary art to canabilize references, while paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner. Monk’s art practice does not follow any specific style; it doesn’t contain any common characteristic to identify his work at first glance. The amount and variety of his works poses questions about what supports them. Demystifying the creative process, Monk often employs appropriation, humor, irony, and anecdote in his work. To enter an exhibition of works by Jonathan Monk is like taking part in a treasure hunt, made up of digressions and space-time manipulations.


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Related works featuring themes of: » Appropriation Art, » Art in Art, » Contemporary Conceptualism, » Contemporary Pop, » British

Made in Heaven
© » KADIST

Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Cityscapes 1 (boats), 2 (woods)
© » KADIST

Hamra Abbas

2010

At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...

White Minority
© » KADIST

Juan Capistran

2005

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...

Untitled (TIME)
© » KADIST

Mungo Thomson

2010

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...

A vehicle with no Lights
© » KADIST

Ryan Gander

2004

A vehicle without light is a group of more personal photographs...

Same Old Crowd
© » KADIST

Li Ran

2016

The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame...

Paper Tigers…from a whisper to a scream
© » KADIST

Juan Capistran

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The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...

Subject, Silver, Prism
© » KADIST

Brian Jungen

2011

There are several elements to Subject, Silver, Prism ...

Beyond Geography
© » KADIST

Li Ran

2012

In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody...

The Left Hand Can't See That the Right Hand is Blind
© » KADIST

Douglas Gordon

2004

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Wagon Wheel
© » KADIST

Toby Ziegler

2007

Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure...

Beyond the White Walls
© » KADIST

Jeremy Deller

2012

Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...

Masks (Merkel F6.1)
© » KADIST

Simon Fujiwara

2016

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...

The Making of Monster
© » KADIST

Douglas Gordon

1996

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

Landscape for Fire
© » KADIST

Anthony McCall

Landscape for fire is a major work by Anthony McCall...

Untitled (Men)
© » KADIST

Matt Lipps

2011

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

Untitled (Map)
© » KADIST

Charles Avery

2011

Charles Avery has been constructing a narrative in his work since 2004...