154.94 x 78.74 cm
Hand Study (Making in Whiteness) IIII by Carmen Winant is part of a series of five collages. For this series, Winant hand cut approximately 3000 images from manuals of craft (mostly pottery) dating from the 1930s-1990s. The artist selected this period of time before the advent of digital photography, when many of the books were handset by artists and artisans, embedded with minor imprecisions and printed affordably. The resulting composition contains images from 15 to 40 different sources, set in uneven columns that appear to collide and jam together. There is a filmic quality to these sequences, showing how the shutter clicks with each movement the potter makes, recalling early stop-motion photography. The close-ups of the depicted hands are of mostly those of white males, who dominate the role of the pedagogue in these manuals. Through an arduous process of setting the images to large sheets of hot-press watercolor paper, Winant aims to “reperform the act of making,” unmaking and remaking. The imperfect grid suggests a human touch, and a tenderness in the process, which contrasts with the pre-digital objective quality of the found images. The vibrant color of the custom wood frame recalls the covers of the instructional manuals from which Winant harvests.
Carmen Winant is one of the leading artists who exclusively uses found images in a photographic practice that takes the form of collages, sculptures, artist books, billboards, and wall installations. Her work expands the public dialogue on the representation of women in Western society. She uses pre-digital sources; hand-cutting images in instructional manuals of craft, childbirth, and utopian pamphlets from lesbian separatists, feminist collectives, and women liberation movements of the 20th century. These images highlight individual and collective acts, and ask: what binds and unbinds one from society? Winant examines and exposes the entrenched ideologies that circulate via these printed images, operating in and shaping the socio-political space that produces them. Using her increasingly public platform to situate herself as an artist who is also a public intellectual, Winant’s work explores the story of women’s liberation, and archival photographs of radical feminist histories that imagine other possible worlds. Winant’s work critically engages with normative depictions of heterosexuality, ‘natural’ births, and the domineering whiteness in the documentation of such imagery. Her practice reflects the racialized space of reproduction, both in birth and in images, addressing critical issues in society and the agency of image-sharing in contemporary life.
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Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Mumbai blog Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre is an unprecedented but surface-level survey for a broad audience Kabir Jhala 9 February 2024 Share Installation view of Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre, Mumbai Courtesy of NMACC When Nita Ambani, India’s wealthiest woman, opened her eponymous cultural centre in Mumbai last March, many in the art world were intrigued...
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The National Portrait Gallery's Pavilion Cafe | Londonist That Kiosk Outside The National Portrait Gallery Is About To Reopen As A Cafe By Will Noble Will Noble That Kiosk Outside The National Portrait Gallery Is About To Reopen As A Cafe The former ticket booth opens as a cafe on 1 November 2023...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...
Space race fakery, a CIA manual and a 10ft man: group show in Florida reveals the art of deception Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 review Space race fakery, a CIA manual and a 10ft man: group show in Florida reveals the art of deception Boca Raton Museum of Art exhibition explores the evolution of illusion through a contemporary lens Torey Akers 8 December 2023 Share A fibreglass Merma (2022), incorporating a video projection performance by Dominique Bousquet, is part of Tony Oursler’s Creature Features installation Tony Oursler As Miami Art Week winds down, the Boca Raton Museum of Art is keeping the magic going with an enchanted offering: Smoke and Mirrors: Magical Thinking in Contemporary Art , a thematic exhibition that seeks truth through the lens of deception...
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment...