Half Full, Half Empty

2014 - Sculpture (Sculpture)

Mungo Thomson

location: Los Angeles, California
year born: 1969
gender: male
nationality: American

Mungo Thomson is a Los Angeles-based conceptual artist whose challenging works reveal a fascination with time, space, music, and perceptual phenomena in general. It has been pointed out that Thomson’s work privileges backgrounds: material (the white walls), institutional (the gallery), and historical.


Colors:



Other related works, blended automatically

The White Album
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Mungo Thomson

2008

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...

The Left Hand Can't See That the Right Hand is Blind
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Douglas Gordon

2004

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Blind Spencer (Mirror)
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Douglas Gordon

2002

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Bread and Roses
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Hank Willis Thomas

2012

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...

Black Imitates White
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Hank Willis Thomas

2012

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

Subject, Silver, Prism
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Brian Jungen

2011

There are several elements to Subject, Silver, Prism ...

I am the Greatest
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Hank Willis Thomas

2012

Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...

Cityscapes 1 (boats), 2 (woods)
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Hamra Abbas

2010

At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...

Floor, Legs
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Elad Lassry

2013

In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...

Vulnerabilia
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Jonathan Hernández

2008

In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...

Sexy
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Yan Xing

2011

Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon...

Untitled
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N. Dash

2013

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive...

Pleasant Sensation Passing Through Flesh - 3
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Yang Zhenzhong

2012

Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...

Collectors’ Favorites
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Jennifer Bornstein

1994

Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...

5
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Jiang Zhi

2012

5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration...

Two videos, three photographs, several related masterpieces, and American Art
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Yan Xing

2013

The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made...

Black Hands, White Cotton
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Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Intentionally Left Blanc
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Hank Willis Thomas

2012

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...