Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled. Interiors of a Victorian doll’s house, a rippled seascape, a palm tree forest, and a gravel seashore are superimposed, morphing into each other. The hermetic narrative is charged with psychological and mythological aspects. Hako reflects Sawa’s interests in psychotherapies, in particular, the sand tray therapy, also known as sandplay, created by Dora Kalff. Sandplay asks participants to create their own arrangement of objects in a sandbox by choosing from a wide range of small figures to which the subconscious attaches symbolic meanings. Echoing this process, Sawa creates his imaginary dimensions where rules and selected elements allow for improvisation and play to reveal unconscious processes. Certain elements give visual clues and metaphorically comment on issues such as the hybridity of the human and the non-human. This is indicated by walking trees and a miniature toy clock that is animated to keep real world time in order to ponder the illusionary concept of linear time. Reality is not scientific. As the fantastical becomes everyday and the supernatural becomes commonplace, so does the reverse.
London-based Japanese artist Hiraki Sawa’s video installations and filmic works probe landscapes, psychological dreamlands, domestic interiors, imaginary spaces, ideas of displacement and migration, and above all, the inner self. He weaves animals, people, plants, animated and inanimate objects into a series of surreal sequences to create enigmatic and immersive worlds of sound and image. Employing a combination of digital editing and hand-made methods of cutting, pasting and collaging, Sawa highlights the ambiguous boundaries between facts and fictions and meditates on how remembrance and memory can be manipulated by time, emotion and mental influences.
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
This work presents the image of an immolated monk engraved on a baseball bat...
On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...
Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
One Universe, One God, One Nation was inspired by Hannah Arendt’s analysis of space exploration and by the astrological horoscope of Chinese political and military leader Chiang Kai-shek (1887-1975)...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...