Hako

2006 - Film & Video (Film & Video)

Hiraki Sawa

location: London, United Kingdom
year born: 1977
gender: male
nationality: Japanese
home town: Ishikawa, Japan

Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled. Interiors of a Victorian doll’s house, a rippled seascape, a palm tree forest, and a gravel seashore are superimposed, morphing into each other. The hermetic narrative is charged with psychological and mythological aspects. Hako reflects Sawa’s interests in psychotherapies, in particular, the sand tray therapy, also known as sandplay, created by Dora Kalff. Sandplay asks participants to create their own arrangement of objects in a sandbox by choosing from a wide range of small figures to which the subconscious attaches symbolic meanings. Echoing this process, Sawa creates his imaginary dimensions where rules and selected elements allow for improvisation and play to reveal unconscious processes. Certain elements give visual clues and metaphorically comment on issues such as the hybridity of the human and the non-human. This is indicated by walking trees and a miniature toy clock that is animated to keep real world time in order to ponder the illusionary concept of linear time. Reality is not scientific. As the fantastical becomes everyday and the supernatural becomes commonplace, so does the reverse.


London-based Japanese artist Hiraki Sawa’s video installations and filmic works probe landscapes, psychological dreamlands, domestic interiors, imaginary spaces, ideas of displacement and migration, and above all, the inner self. He weaves animals, people, plants, animated and inanimate objects into a series of surreal sequences to create enigmatic and immersive worlds of sound and image. Employing a combination of digital editing and hand-made methods of cutting, pasting and collaging, Sawa highlights the ambiguous boundaries between facts and fictions and meditates on how remembrance and memory can be manipulated by time, emotion and mental influences.


Colors:



Other related works, blended automatically

Japanese House Series
© » KADIST

Tomoko Yoneda

2010

Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...

Walking Through
© » KADIST

Koki Tanaka

2009

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion)
© » KADIST

Adrian Wong

2012

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

2008

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

2011.4.4 Kesen-cho
© » KADIST

Naoya Hatakeyama

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...

A poem written by 5 poets at once (first attempt)
© » KADIST

Koki Tanaka

2013

This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...

Extrastellar Evaluations III: Entropy: 25800
© » KADIST

Yin-Ju Chen

2018

Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...

Vanishing Point
© » KADIST

Xiaoyun Chen

2014

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...

New York Public Library Projects (NYPLP)
© » KADIST

Pak Sheung Chuen

2008

Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...

Regard Eating Every Single Time as a Formal Declaration, My Stomach is Sexy out of Anger
© » KADIST

Xiaoyun Chen

2006

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

2006

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...

On Fire
© » KADIST

Runo Lagomarsino

2020

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

The Book Cover series
© » KADIST

Heman Chong

2009

With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...

No World
© » KADIST

Fang Lu

2014

No World is an action-filled video work filmed inside an abandoned museum in the Songzhuang area outside Beijing...

Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

2016

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks)
© » KADIST

Nicolás Consuegra

2012

A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...

Enemy’s Enemy: A Monument To A Monument
© » KADIST

Tuan Andrew Nguyen

2012

This work presents the image of an immolated monk engraved on a baseball bat...

La Ligne du Temps
© » KADIST

Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Untitled (Family Project)
© » KADIST

Motoyuki Daifu

2010

Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...