Hako

Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...

The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...

No World is an action-filled video work filmed inside an abandoned museum in the Songzhuang area outside Beijing...

PANGKIS by Yee I-Lann is a looped video performance...

Météo des forêts — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook Météo des forêts — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Météo des forêts Exhibition Film, installation, mixed media Upcoming Julien Prévieux et Virginie Yassef, L’Arbre, 2009 — Image : Élie Godard Film Super 8 transféré sur DVD — 7 min 18 — Ed 4 + 2 Courtesy des artistes Météo des forêts In about 1 month: January 18 → April 7, 2024 La MABA présente, du 18 janvier au 7 avril 2024, Météo des forêts : une exposition collective réunissant des travaux d’artistes de diverses générations travaillant différents médiums (dessin, photographie, vidéo, sculpture, installation…)...

As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment...

Singular Screens – Cinema, the way you want it | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles SIFA 2020 September 4, 2020 As Singapore gets used to life under Phase 2 of our COVID-19 relaxation measures, players like Singapore Festival of the Arts (SIFA) – or its gentle rebrand SIFA v2.020 – are responding with programmes that are welcoming us back into a semblance of normalcy...

Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...

You see without light is a group of photographs around the theme of Bauhaus...

Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...

In the Soldier’s Head evokes the traumas of war through the prism of the hallucinations of a soldier...

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive...

An art private museum featuring paintings of the country and HCMC particularly is expected to become a cultural destination of HCMC....

Beau Soleil #7 ’s title (translated as Beautiful Sun) gives a good sense of its effect...

As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...