260 x 145 cm
In Habito/Habitante , the suspended material renders the wall a prison and the participant a prisoner. The liberating impulsion releases the participant. The act of freeing oneself, of flying, and escaping from constraints is an action that is both extremely symbolically and physically significant. The sound produced by the Velcro upon the detachment of the material from the wall enhances this sense of release. The repetition of the same gesture during a performance gives the act a status of ritual, giving awareness to the power of the action. The work has a political and social meaning lies in the epoch within which it was created—the transitional period when Brazil became a democracy in the 1985 elections. The individual dimension of the liberating experience is thought as a moment of collective construction of a new political context. This work is a testimony and a witness to the emotions and the spirit of the state in this moment of profound political change that is inscribed in the physical and psychological body of an entire generation. Martha Araujo states: “For me these gests are the means to find ourselves with ourselves, the others and the environment within which we live while liberating ourselves”.
Since the 1980s, Martha Araujo, (b. 1943 Maceio, Brazil) has explored the physical and psychology limits of the body. She has explored space, the body and mind by asking spectators to use objects and clothing that she produces and exhibits in exhibition spaces. Many of her works are related to her performing installations between 1982 and 1987 entitled “Habito / Habitante”. From a historical perspective, her approach relates to Helio Oïticica and Lygia Clark. Her work is now being reconsidered, like those of other artists from South America, thought to be an alternative to performative gestures in the United States and Europe. The use of the body is linked to African-Brazilian rituals, carnivals and especially to specific political contexts where the body is a means of resistance.
Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
246247596248914102516… And then there were none narrates a semi fictional account centered around the ambiguous history of the Democracy Monument in Bangkok, and on the aftermath of the 1973 demonstration of 400,000 people who marched against the military junta from Thammasat University to the monument...
ILHAM Gallery is a trailblazer in the Malaysian art scene (via Luxuo) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 19, 2018 ILHAM Gallery sits like a secret jewel box in the black-ice exterior of Menara ILHAM, where it has played host to celebrated artists and conceptual experimenters since it opened its doors in August 2015...
In Over There, Bontaro Dokuyama conducted a series of workshops with various people who had been forced to relocate in temporary housing after the Fukushima accident...
Weekly Picks: Malaysia (26 Nov – 2 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 26, 2018 Symposium – How Easily Modernism Could Be Disturbed , at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery...
Press Release: Art21 to Release Season Finale of “Art in the Twenty-First Century” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 9:47 Add to watchlist "Now and Forever" Kerry James Marshall Extended Play December 6, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
The Red City of the Planet of Capitalism is part of a three project lineage, following Bahar Noorizadeh’s research on the architecture of the Soviet Union...
Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...