Há Terra!
2016 - Film & Video (Film & Video)
12:47 minutes
Ana Vaz
Há Terra! (There Is Land!) is a short film by Ana Vaz that picks up on the artist’s previous film A Idade da Pedra (2013), in which Vaz imagined premodernity in her native Brazil. Há Terra! revisits the young protagonist Ivonete dos Santos Moraes, who has joined Brazil’s landless movement that struggles to wrestle land from powerful agriculturalists. The story is set in Brazil’s “sertão” (backcountry), where the cry “há terra!” (literally: “there is land”) can also be interpreted as an assertion that there is no reason for the landless, whose organized movement is now some forty years old, to be deprived of land. The protagonist Ivonete hails from the region of Quilombos, a settlement of runaway slaves that resisted colonizers. In the film, darting camera movements appear to chase Ivonete through the high grass, the young girl comes to personify a territory. The present-tense narration fuses with the past in the myopia of the long focus lens. The recurrent sound loop of a man shouting “Land! Land!” conjures up the distant memory of colonialism. But the beauty of Vaz’s collage of images and sounds hinges on the impossibility for the viewer to let the past pass. Shot on expired 16mm film, the artist describes her cine-poem: “ Há Terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey.”
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives. Taking up the history and territory of her native Brazil, her films consist of assemblages of found and shot materials, and combine ethnography and speculation to unpack the frictions and fictions imprinted upon both natural and built environments and their inhabitants. Through a profusion of intricate and potent portraits of land, animals, and people, Vaz’s work evinces the interdependent relationships between colonialism, modernism, and the Anthropocene. Her artistic approach denounces the human consumption and destruction of the natural environment and native communities. Focusing on the stories and struggles of rural laborers, Vaz’s work offers narratives that have been absent, or erased, from history.
Colors:
Related works sharing similar palette
© » ART & OBJECT
See What Sold at the Barbara Walters Estate Sale at Bonhams | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Sawangwongse Yawnghwe
202122022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
© » KADIST
Colectivo Tercerunquinto
1999BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
© » THE GUARDIAN
‘We laughed and cried a lot’: a Japanese photographer in Alabama – in pictures | Art and design | The Guardian Skip to main content ‘We laughed and cried a lot’: a Japanese photographer in Alabama – in pictures ‘He looked very proud’ … Matthew in His Car, 2019 The Band, 2017 When Japanese photographer Fumi Nagasaka was invited by her friend Tanya to visit her home town of Dora, Alabama, it proved to be a moment of creative inspiration...
© » ARTS EQUATOR
Podcast 67: Urinetown and Lim Boon Keng – The Musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pangdemonium, Musical Theatre Ltd October 30, 2019 Theatre reviewers Matt Lyon and Naeem Kapadia are joined by ArtsEquator editor Nabilah Said in this newly rebooted theatre podcast discussing recent productions Urinetown: The Musical by Pangdemonium, and Lim Boon Keng – The Musical by Musical Theatre Ltd...
© » KADIST
Keren Cytter
“Untitled” is inspired by the movie “Opening Night” by John Cassavetes with Gena Rowlands playing the role of a fallen woman, anguished by her distressed life...
© » BROOKLYN STREET ART
BSA Images Of The Week: 11.05.23 | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Welcome to BSA Images of the Week! Nobody was out Friday night when we went to see “Stop Making Sense” on the screen; the streets of Manhattan and Brooklyn at 10 pm were rather lightly attended, possibly because everyone was recovering from a mid-week Halloween/Day of the Dead blast of drunkenness, revelry, laughter, and tears...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: RPG goes SEA with crocodile; A decade of Filipino art | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JL JAVIER December 28, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » KADIST
Sebastián Díaz Morales
2014In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...
© » KADIST
Pu Yingwei
2020ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China...
© » THEARTNEWSPER
Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Cuban American artist Edel Rodriguez, labelled a “worm” for fleeing Cold War Cuba in 1980, tells story of his progress from impoverished boyhood to creating alarming covers for Time magazine David D'Arcy 9 February 2024 Share The front cover of Worm © 2023 Edel Rodriguez On the cover of the graphic memoir Worm: A Cuban American Odyssey , which follows the artist and illustrator Edel Rodriguez from 1970s Cuba to the US, the author draws himself as a boy wearing the red scarf of the José Martí Pioneer Organization and a beret with a star high on his head—the attribute of no less than Ernesto “Che” Guevara...
© » KADIST
Sergio De La Torre
2011This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
© » THEARTNEWSPER
In pictures: Art Basel in Miami Beach's Meridians section features big works tackling big topics Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: Art Basel in Miami Beach's Meridians section features big works tackling big topics Curator Magalí Arriola picks out some highlights from the fair's large-scale presentation Elena Goukassian 9 December 2023 Share Lee Mullican, Entrance of the Entertainers (1984-85) Liliana Mora Although this year’s Meridians section at Art Basel in Miami Beach lacks an official theme, many of its large-scale works reference some sort of metaphorical largeness—whether global connectivity, the environment or the universal language of music...
© » LITHUB
Between Risk and Control: How Mark Rothko Discovered His Signature Style ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Between Risk and Control: How Mark Rothko Discovered His Signature Style Adam Greenhalgh on the American Abstract Painter's Early Years Via Yale University Press By Adam Greenhalgh February 7, 2024 Featured image: Allie Caulfield via Creative Commons In the summer of 1933, Mark Rothko, who was then still known as Markus Rothkowitz, hitchhiked nearly three thousand miles from New York City to his hometown of Portland, Oregon...
