Prêt à faire une grosse bêtise
2003 - Sculpture (Sculpture)
177x82x57 cm
Alain Séchas
A cat, standing like a human being, is looking at us with round and dazed eyes and holds a gun. In the background, we notice a range of unwelcoming buildings, closed in with barbwire. A sentence is inscribed inside of one of the clouds, as if it were a speech bubble, and comments ?with hope or disillusion? ?: « Ready to do something very bad ». We are left speechless and worried in front of this situation in which Alain Séchas projects us directly and spontaneously. With this installation combining a painting and a sculpture, we are given all the burden of reality to carry on our backs. With Séchas, things are clear: at first sight, it is a straightforward joke; in the end, it leads to awareness and a sharp comment on society.
Alain Séchas is an artist and cartoonist. Since the early 1980s, he has developed a highly recognizable and singular body of work composed of drawings, sculptures, videos and installations. With a desire to reflect on our human condition, our fears and frustrations, Séchas repeatedly pictures and stages anthropomorphic figures in grotesque or humorous settings. The contrast between the nature of the depicted scenes and the naïve line of his characters that recall the aesthetic of cartoons and toys is accompanied by a sense of derealization challenging the audience in their perception of art. The eccentric and irreverent quality of his work, being highly informed by the History of modern and contemporary art, is inscribed in a thoughtful gesture that aims to test the boundaries of artistic formalism.
Colors:
Related works sharing similar palette
© » KADIST
Seminar The Place from Where We Look [[fn]The seminar’s title is a reference to Eduardo Grüner’s book El Sitio de la Mirada (2001).[/fn]] is the last chapter of Collecting Matters , a collaborative fellowship initiated by Kadist Art Foundation (Paris) with Nomas Foundation (Rome) and David Roberts Art Foundation (London) that marks a collective commitment to encourage new ways of thinking, sharing and producing knowledge about collections...
© » SLASH PARIS
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Connexion Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour 40 ans du Frac ! — Gunaikeîon Exposition Techniques mixtes Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Encore 2 mois : 15 octobre 2023 → 24 février 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...
© » PRISHTINA INSIGHT
Kosovo Detains Young Man for Unauthorised Denigrating Publication on ‘Telegram’ - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight Photo: Pixabay Kosovo Detains Young Man for Unauthorised Denigrating Publication on ‘Telegram’ A Kosovo court detained a young man for sharing images of a girl in a Telegram group, with over 100,000 members, used to publish derogatory and ‘deep fake’ images of women and girls, in Albanian language...
© » ARTSY
10 Artists to Discover in Foundations Winter 2024 | Artsy Skip to Main Content Art 10 Artists to Discover in Foundations Winter 2024 Artsy Editorial Jan 23, 2024 2:00PM Foundations is Artsy’s seasonal online fair spotlighting fresh works from galleries known for spotting and nurturing rising talent...
© » KADIST
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
© » KADIST
Milena Bonilla
2009Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
© » SOUTH CHINA MORNING POST
All about washi: Japanese handmade paper’s ancient Chinese roots, its uses from writing to home decor, and why it can cost US$120 a sheet | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Sheets of Hosokawa-shi, a type of Japanese washi recognised by Unesco as an item of intangible cultural heritage...
© » KADIST
Shimon Minamikawa
2014In Play , the image comes from a fashion magazine from the 1950’s (USA) whose theme is costume sportswear from the 19th century...
© » HYPERALLERGIC
Hiroshi Sugimoto’s Time-Traveling Lens Skip to content Hiroshi Sugimoto, "Lake Superior, Cascade River" (1995), gelatin silver print (all photos AX Mina/Hyperallergic) LONDON — The first image at the Hayward Gallery’s show of work by Japanese photographer Hiroshi Sugimoto is a pair of upright apes walking through a volcanic landscape...
© » KADIST
Gan Chin Lee
2019In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
© » ARTFORUM
Title, Theme Announced for Sixth Aichi Triennale – Artforum Read Next: ART BASEL REVEALS EXHIBITOR LIST FOR 2024 SWISS FAIR Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
© » KADIST
Bruce Conner
1995Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...