Prêt à faire une grosse bêtise

Coué 1 is an animated sculpture that hypnotically highlights the self-motivating leitmotiv of the ‘Coué Method’: “Every day, in every way, I’m getting better and better.”This is the mantra that is repeated by different male and female voices in the soundtrack – first in an incomprehensible painfully slow slur, becoming clear and speeding up into a drilling hilarious sounding high pitching spin, as if helium had been inhaled...

Seminar The Place from Where We Look [[fn]The seminar’s title is a reference to Eduardo Grüner’s book El Sitio de la Mirada (2001).[/fn]] is the last chapter of Collecting Matters , a collaborative fellowship initiated by Kadist Art Foundation (Paris) with Nomas Foundation (Rome) and David Roberts Art Foundation (London) that marks a collective commitment to encourage new ways of thinking, sharing and producing knowledge about collections...

Highlights from Art Basel Miami Beach 2023 (Video and Favorite Works) - ArteFuse Art Basel Miami 2023 top 10 picked by writer and curator Nina Chkareuli-Mdivani Art Basel Miami felt strangely invigorating and fresh this year...

The San Francisco residence of Chara Schreyer, one of the world’s leading collectors of contemporary and modern art, has hit the market for $4.9 million....

In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...

Coué 1 is an animated sculpture that hypnotically highlights the self-motivating leitmotiv of the ‘Coué Method’: “Every day, in every way, I’m getting better and better.”This is the mantra that is repeated by different male and female voices in the soundtrack – first in an incomprehensible painfully slow slur, becoming clear and speeding up into a drilling hilarious sounding high pitching spin, as if helium had been inhaled...

“To me, art equals responsibility”...

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo...

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show...

Who We Were When We Were Here : Open Space November 22, 2021 Who We Were When We Were Here by Kristina Lee Podesva Un-Disclosure We were teaching on the reservation when, overnight, the campus closed...

In the shifting landscape of the digital realm, Non-Fungible Tokens (NFTs) emerged as a possible revolutionary force, reshaping how we perceive and engage with art The post NFTs From Digital Phenomenon to Global Meltdown appeared first on Artlyst ....

We caught up with the Tunisian collector and finance whiz Selim Bouafsoun at his art-filled home in London....

Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...