El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present. Through the episodes he chose to depict, the artist focused on historical narratives, the way the story is told, and the supposed irrefutability of historical facts. Museo Futuro (“Future Museum”) stands within a tradition of artists who re-read history and offer their interpretation of it through the distopic lens of the museum display. “Future Museum is the vision of a fuzzy present seen from the distance of an impossible place,” says the artist. Playing with the way the mass media have represented certain of these events that compose Chilean history, and how this has engraved collective memory, the artist sets an ambiguous light of these “official” narratives, ranging from natural disasters, the decadence of art, politics, deceit and forgetfulness. The use of an old fashioned media, miniature maquettes, evokes obsolete museology in an age where realistic images are omnipresent. It questions the format of representation, the museification of the present and the impact these events have on popular culture.
Through a variety of media (video, drawing, sculpture and installations), Nicolás Grum explores with a touch of sarcasm and humor, the dominant discourses coming from different circles of power — politics, history, economy and art — constantly putting into question the idea of authority and “truth”.
Where To Celebrate Lunar New Year And Chinese New Year 2024 In London | Londonist Where To Celebrate Lunar New Year And Chinese New Year 2024 In London By Londonist Londonist Where To Celebrate Lunar New Year And Chinese New Year 2024 In London The Chinese New Year Parade wends through the streets of central London on 11 February 2024...
Art Student Fights for Free Speech After School Asks to Remove Pro-Palestine Signs Skip to content Morgan Patten’s signs reading “Zionism is Fascism” and “Free Palestine” (all images courtesy Morgan Patten) In mid-October, amid Israel’s deadly ongoing bombardment of Gaza, first-year MFA student Morgan Patten taped two hand-painted signs to the door of her Brooklyn College studio...
His collection gift to the Savannah College of Art and Design nearly two decades ago has been transformative....
Great Portrait Advice from Award-Winning Photographers, Part I - From past LensCulture Portrait Award Winners and Finalists | LensCulture Feature Great Portrait Advice from Award-Winning Photographers, Part I Former LensCulture Award winners share their best creative advice as well as tips for advancing your career as a portrait-maker and photographer...
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
The Best Dishes in the Bay Area for 2023 | KQED Skip to Nav Skip to Main Skip to Footer Food The Best Dishes I Ate in 2023 Luke Tsai Dec 8 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link At Berkeley's Masa Ramen, the Hawaiian dishes — like this gravy-drenched loco moco — are just as good as the actual ramen...
Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Seyni Awa Camara — John McAllister — Sculpting Earth, Painting Sensations Exposition Installations, peinture, sculpture Seyni Awa Camara, John McAllister, Sculpting Earth, Painting Sensations, 2023 Galerie Almine Rech — Photographie : DR Seyni Awa Camara — John McAllister Sculpting Earth, Painting Sensations Encore 13 jours : 11 janvier → 24 février 2024 Almine Rech présente Sculpting Earth, Painting Sensations, une exposition créant un dialogue unique entre les artistes Seyni Awa Camara et John McAllister...
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
"Dionysus": Suzuki Tadashi Brings Vengeance to SIFA 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Dian P Susilaradeya January 14, 2019 By Kathy Rowland (642 words, three-minute read) Suzuki Tadashi is one of the brand names in the international tour circuit, whose productions have earned critical praise and inspired several generations of audiences...