Gary Gilpatrick, Insulator
2008 - Photography (Photography)
Sharon Lockhart
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U. S. naval shipbuilding company—in Maine. Gary Gilpatrick, Insulator (2008) belongs to a group of portrait-like photographs of the shipyard’s workers lunchboxes. Created over the period of a year, Lockhart’s film and accompanying still photographs are intended as an exploration of the social spaces inside this kind of workplace. At the turn of the nineteenth century, the factory was an emblem for the American way of life; today, those same factories and an entire generation of the working class seem on the verge of disappearance as a result of political and economic global capitalism.
Sharon Lockhart is both a filmmaker and a photographer, and she moves seamlessly between the two. All of her work, regardless of medium, offers a prolonged investigation of the subject at hand. The artist’s almost anthropological sensibility leads her to spend months, even years, working with the same community, whether in Bath, Maine, or Lodz, Poland, resulting in provocative and thorough studies of people and places.
Colors:
Other related works, blended automatically
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Sharon Lockhart
2011Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
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Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
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Walead Beshty
2011Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
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Catherine Opie
1987Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
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Walead Beshty
2018Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
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Claudia Joskowicz
2007The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
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Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
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Miljohn Ruperto
2017Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
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Yee I-Lann
2013Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
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Agnieszka Kurant
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Wong Hoy Cheong
2004Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
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Gregory Crewdson
2005Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
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Miljohn Ruperto
2009Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
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Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
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Catherine Opie
1993Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
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Matt Lipps
2011Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
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Catherine Opie
1987In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...