Gary Gilpatrick, Insulator

2008 - Photography (Photography)

Sharon Lockhart

year born: 1964
gender: female
nationality: American
home town: Norwood, Massachusetts

Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U. S. naval shipbuilding company—in Maine. Gary Gilpatrick, Insulator (2008) belongs to a group of portrait-like photographs of the shipyard’s workers lunchboxes. Created over the period of a year, Lockhart’s film and accompanying still photographs are intended as an exploration of the social spaces inside this kind of workplace. At the turn of the nineteenth century, the factory was an emblem for the American way of life; today, those same factories and an entire generation of the working class seem on the verge of disappearance as a result of political and economic global capitalism.


Sharon Lockhart is both a filmmaker and a photographer, and she moves seamlessly between the two. All of her work, regardless of medium, offers a prolonged investigation of the subject at hand. The artist’s almost anthropological sensibility leads her to spend months, even years, working with the same community, whether in Bath, Maine, or Lodz, Poland, resulting in provocative and thorough studies of people and places.


Colors:



Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

The Crime of Art
© » KADIST

Kota Ezawa

2017

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

Related works featuring themes of: » Cinematic, » Color Photography, » Contemporary Fact Versus Fiction, » Documentary Photography, » American  
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Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Vallegrande 1967
© » KADIST

Claudia Joskowicz

2008

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

Mike and Sky
© » KADIST

Catherine Opie

1993

Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...

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Visalia Livestock Market, Visalia, California
© » KADIST

Sharon Lockhart

2011

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

2013

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...

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The Nature of Conflict
© » KADIST

Allora & Calzadilla

This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph...

Untitled (Untitled Passport II)
© » KADIST

Colter Jacobsen

2010

The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...

Tarek Atoui — The Drift
© » SLASH PARIS

Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Tarek Atoui — The Drift — Institut d'art contemporain de Villeurbanne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Tarek Atoui — The Drift Exposition Techniques mixtes Performance de Tarek Atoui lors du vernissage Tarek Atoui: Cycles in 11, à la Sharjah Art Foundation © Sharjah Art Foundation Tarek Atoui The Drift Encore environ 2 mois : 13 octobre 2023 → 28 janvier 2024 L’IAC invite l’artiste Tarek Atoui à présenter sa première exposition monographique d’ampleur en Europe...

Other works by: » Sharon Lockhart  
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Visalia Livestock Market, Visalia, California
© » KADIST

Sharon Lockhart

2011

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Stanley "Tom" Durrell, Tinsmith
© » KADIST

Sharon Lockhart

2008

Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

Related works found in the same semantic group  
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Tina Knowles Made Beyonce the Art Collector She Is Today - via eonline.com
© » LARRY'S LIST

Blue Ivy's grandma tells how she introduced her kids to paintings at an early age while at The Broad's Soul of a Nation: Art in the Age of Black Power exhibit...

Muster (Rushes, 2011-2012) by Clemens Von Wedemeyer
© » KADIST

A private preview of a new film produced for dOCUMENTA (13), followed by a conversation with political philosopher Florian Grosser...

If There Ever Was: an exhibition of extinct and impossible smells
© » KADIST

In 2008, curator Robert Blackson began inviting some of the most renowned and trained “noses” in fragrance design to create an exhibition of “olfactory images” dedicated to advancing the perception of abstraction...

Tarantism by Joachim Koester
© » KADIST

Co-presented with Headlands Center for the Arts, Copenhagen-based artist Joachim Koester presents Tarantism (2007), a film from the Kadist Collection in which performers enact the “dancing cure,” an Italian folk method of curing a tarantula bite...