Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy. Future Gestalt is not a video of a performance, rather, it is a documentation of the last of four unscripted sessions of guided participation led by the artist. Through the title and form, the sessions suggest Gestalt therapy, promoted as a form of personal transformation in California at the Esalen Institute. The sculpture “ Smoke” was conceived in 1967, but fabricated after the artist’s death in 2005 and is permanently installed at LACMA in Los Angeles. It “reflects the artist’s [Smith’s] lifelong exploration of patterns in organic life,” but its sleek painted black aluminum exterior also suggests a science-fiction spacecraft or supercomputer. Condon recognizes these implications and casts it as a character, a processed and distorted version of his own voice.
Brody Conlon is an American (born 1974 in Mexico) based in Berlin. He constructs situations to explore human experience, often involving synthesis of role-playing and collective, participatory performance. Both fascinated and skeptical, Condon’s work raises doubts about self/other representation, authenticity and pretense, and lingers in the strangeness of engagement.
Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...
Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoine Grumbach — Les Yeux du Ciel Exhibition Architecture, urban art, drawing, installation.....
Arima’s free brushstrokes gesture towards traditions in Expressionist painting, and Ticket could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content...
Flowers for Africa is a protocol project started in 2014, which questions the material that history is made of: its fragility, its infallibility, its visibility and its hierarchy...
Julien Crépieux is interested in the medium of video and its confrontation with cinema...