The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009. In this film, Aiken’s allusion to “the frontier” and iconic imagery like the cowboy suggest that the American West Coast as a cultural construction. These notions are reinforced by two key elements in the film: its protagonist, the iconic West Coast artist Ed Ruscha, and its reference to the cinematic and the experience of the movie theater. The film is structured as a journey in time, from day to night. The completed film was shot in different places around the globe, including Los Angeles, Rome, South Africa, and Israel, which suggests the blurring boundaries of the unknown and emphasizes both fictive and real landscapes.
Doug Aitken’s work started to draw international attention when his installation Electric Earth earned the International Prize at the 1999 Venice Biennale, which was organized by renowned Swiss curator Harald Szeemann. Interested in breaking conventional narratives, Aitken emphasizes circularity and non-linearity in his monumental site-specific installations. This monumentality is usually expressed in Aitken’s tendency to combine apparently disconnected fragments in order to create epic films. Although this aspect of his work differs from the all-encompassing wholes sought by modernism, Aitken’s films play with the imaginary and surreal in a way that flirts with the notion of utopia. The artist uses pop culture and, especially, the film industry as sources for his compelling and immersive environments. Aesthetic elements such as coloration, light and space and a careful editing process give his films a contemplative mood.
European masterworks from the Phillips Collection share a modern vision for art with Milwaukee | The Milwaukee Independent European masterworks from the Phillips Collection share a modern vision for art with Milwaukee Posted by Editor | Nov 16, 2019 | The Milwaukee Art Museum hosted a preview exhibit tour for the local media on November 13 for their blockbuster exhibit “A Modern Vision: European Masterworks from the Phillips Collection” which runs until March 22, 2020...
Images of an El Salvador Town Transformed by Migration - The New York Times Lens | Images of an El Salvador Town Transformed by Migration https://www.nytimes.com/2019/05/28/lens/images-of-an-el-salvador-town-transformed-by-migration.html Give this article Share Advertisement Continue reading the main story The political has long been the personal for those who decided to abandon all they knew in El Salvador to search for a safer, but uncertain, future up north...
SEE WHAT SEE (May 2021): SOUTHEAST ASIAN DOCUMENTARIES | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 15, 2021 By Joel Tan To borrow and distort the title of David Shield’s lyrical manifesto against fiction: I’ve been HUNGRY for reality in the month of May...
Liu Wei: China’s Trickster Mixer-Upper – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All February 26, 2014 5:00am When the Rubell Family Collection opened its doors with an exhibition of 28 Chinese artists in time for Art Basel Miami Beach last December, one of the stars that emerged from the show was Liu Wei , whose brand of geometric abstraction surprised many Americans looking for more stereotypical hallmarks of Chinese art ...
Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space...
Under the bonnet: €300,000 Ferrari-funded restoration completed on 13th-century Cimabue fresco Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Conservation news Under the bonnet: €300,000 Ferrari-funded restoration completed on 13th-century Cimabue fresco Maestà di Assisi, located in the saint's home town, which survived a deadly earthquake in 1997, has been returned to its original luminosity James Imam 8 February 2024 Share Cimabue’s Madonna Enthroned with the Child, Four Angels and St Francis underwent two previous restorations: in the late 19th century and again in 1973 Tecnireco A fading fresco by the 13th-century artist Cimabue that survived a deadly earthquake 25 years ago has been returned to its original splendour following a €300,000 restoration funded by the luxury car manufacturer Ferrari...
Podcast 68: Critics Live! Wild Rice's Merdeka | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Rueyloon from Wild Rice November 13, 2019 Theatre critics Corrie Tan, Nabilah Said, Carolyn Oei and Kathy Rowland discuss the recent production of WILD RICE’s Merdeka / 獨立 /சுதந்திரம் , in a critics-led post-show conversation held in front of an audience on 19 October 2019 at WILD RICE’s Ngee Ann Kongsi Theatre...
In Seven Deadly Sins (2006), Shen utilizes abstraction to produce complex topographies of color that evoke associations with violently tumultuous landscapes...
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
Texas Hold ‘Em: Beyoncé drops two country-tinged singles | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Music News The singer announces the second stage of her Renaissance trilogy, and releases a duo of new tracks 12 February 2024 Text Dazed Digital During the Superbowl last night, Beyoncé announced that her new album – Act II – will be released on March 29...