This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.
Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance. Central in his work is the construction and alteration of what he calls his Liquid Archive, a collection of images, narratives, drawings, shapes, and ideas that he uses to construct his unique visual language—a critical and stimulating space for fantasy, reality, and the blurring of the two. Amorales creates tensions between revealing and hiding the personal and the universal in his often-ambiguous and fluid constructions.
9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...
Invalid Throne by Jakrawal Nilthamrong is a 35mm film that searches the protagonist Kamjorn Sankwan’s memory and connection with the land he grew up in...
Weekly Picks: Indonesia (18 - 24 February 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 18, 2019 Top Picks of Indonesia art events in Bali, Bandung and Jakarta from 18-24 February 2019 To celebrate the TiTian Art Space’s 3rd Anniversary, the art space and organization presents EXPLORATION , a group exhibition that serves also as an initiative to encourage artists to break boundaries...
Podcast 56: Reflections on the 8th World Summit On Arts And Culture, Malaysia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints April 17, 2019 Duration: 39 min The 8th World Summit On Arts And Culture took place 11 – 14 March 2019 in Kuala Lumpur, Malaysia...
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22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
The installation Hey Daddy, Hey Brother comprises a series of “Sukajan” jackets, which Tamura collected over a period of several years...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey...
Originally commissioned for the 32nd Sao Paulo Biennial, the film Estás vendo coisas (You are seeing things) depicts the subculture of Brega music, a fusion of American Hip Hop, Brazilian techno and Caribbean reggaeton that emerged in North Eastern Brazil over the last decade...
Wanderlust West: The Biographer and the Burglar Live documentary performance and exhibition by Martha Colburn With live dobro accompaniment by Thad Povey Wednesday, July 25, Bar 6pm, Event 7pm With related works on view through August 11 In this “live documentary” performance at KADIST, Colburn expands on Western Wild…how I found wanderlust and met Old Shatterhand (2017), a densely textured, mixed genre film about an American artist constructing a new work about famed German author Karl May...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...