Freedom Farming presents how, after being given the right of farming, Li Binyuan began to re-dig his land. He attempted to physically open a space for conversation with the generation of his parents. On the second day, villagers that were gathering in the field, including his mother, started to watch a strange event: Li Binyuan’ s 2-hour long jumping and falling in his land until he finally stopped, exhausted. He jumped up to escape from the earth (his hometown), but being unable to overcome the gravity (his birth), heavily fell back onto the ground. This repetitive attempt to leave, and the invariant result of falling back every time, somehow gave him a kind of cardiac injury. And he suffered a physically heart-aching pain for some time. At this juncture, only by acting directly and painfully, he had finally accomplished his process of mourning of his father death, his hometown, and his farming situation.
Li Binyuan explores physicality, chance, play and social values through actions, film works and performances that intervene in the social fabric of everyday Chinese society. His experiments occupy urban spaces, from the very public arena of the street, to remote post-industrial sites. Using his body as a sculptural material to enact creative investigation, he uses ruptures and repetition to manifest how sculpture and performance can intertwine. Rearticulating social conduct while interrogating our experiences of the everyday, Li is sometimes running naked through the streets, crashing into trees and using hammers to destroy other hammers.These interventions disrupt existing societal conventions, interrupting both the spatial and social dynamics of contemporary life.
Produced for the Prix Marcel Duchamp and presented at the Centre Pompidou in October 2017, the installation Uncomformities is comprised of photographs, archaeological drawings, and narratives, based on the analysis of core samples from different sites in Beirut, Paris and Athens...
Texas Hold ‘Em: Beyoncé drops two country-tinged singles | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Music News The singer announces the second stage of her Renaissance trilogy, and releases a duo of new tracks 12 February 2024 Text Dazed Digital During the Superbowl last night, Beyoncé announced that her new album – Act II – will be released on March 29...
In Pieces - Photographs by Sophia Bulgakova, Lia Dostlieva, Ola Lanko, Katia Motyleva and Kateryna Snizhko | Book review by Sophie Wright | LensCulture Feature In Pieces In this imaginative collection of photobooks “made with a child in mind,” five artists of Ukrainian descent explore the everyday heroism of life in wartime...
Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey...
A combination of planning and improvisation, control and lack of control, this painting is typical of Amm’s work...
Weekly Southeast Asia Radar: Malaysian theatre goes digital; Vietnam's film industry | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar KLPac March 27, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
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