60 x 59 x 5 cm
Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically. To him, deviation is the only feasible strategy to allow the unexpected to happen, making space for semantic turns, impossible encounters, and dissolving binaries. The bodily dimension appears in his art both as disturbance of the senses and perception, and as research into processes of consumerism, oppression, decomposition, and destruction. In the sculpture Framing Time 5 Bianchi’s investigation on the ambiguous relationship between pleasure and power takes shape in an unusually elegant composition that dismantles and reconfigures the male body, and consequently, the illusion of control. Hanging on the wall, and still holding the elements that make it readable as a frame, the work interrogates the structures that imposed and still depend on the sexed-gendered character of the body and its regulations.
Since the early 2000s, Diego Bianchi has captured the atmosphere of a generation forged under a chronic state of crisis and precariousness in South America. This mood was—and still is—paradoxically paired with an energetic DIY methodology and a willingness to create new forms of living in dire contexts. Bianchi’s peculiar visual vocabulary, his sculptures being the best example, unfolds from a thorough and playful investigation on the relationship between bodies and objects; desires and devices; the material causes of the Anthropocene; and the purges of financial capitalism in the outskirts of the Western world. Bianchi severs, displaces, and recombines items that are mostly perceived as disposable, invigorating them with anthropomorphic qualities. In his work, an often abject corporeality emerges from a combination of machine and technological elements, and an amalgam of mostly synthetic materials that resemble pieces of flesh or limbs. Power structures and oppression mechanisms come under his scrutiny; while sociological observation of a state of crisis contorts into an eerie and highly sensorial ambient.
Beyoncé Won the Super Bowl, Dropping Two New Songs | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint NPR Beyoncé Releases Two New Songs During the Super Bowl, Teasing More to Come Rachel Treisman Feb 11 Save Article Save Article Failed to save article Please try again Email Beyoncé accepts the Best Dance/Electronic Music Album award for ‘Renaissance’ onstage during the 2023 Grammy Awards...
‘Wonka’ Review: Sweet Film Dodges Roald Dahl’s Bitterness | KQED Skip to Nav Skip to Main Skip to Footer The Do List A Surprisingly Sweet ‘Wonka’ Dodges Dahl’s Bitterness Michael Fox Dec 14 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Timothée Chalamet stars as the chocolatier Willy Wonka in Paul King’s original musical prequel to ‘Charlie and the Chocolate Factory.’ (Jaap Buittendijk/Warner Bros...
Weekly picks: Singapore (13 - 19 August 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore August 13, 2018 The Ordinary and The Unspectacular by The Theatre Practice 16 – 19 August 2018 After each breath Before the next Time streams into the moments of timelessness The Ordinary and The Unspectacular is a contemplation of the minutiae of everyday life...
Masked dance tradition rises from near extinction in Cambodia (via Reuters) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar REUTERS/Jorge Silva January 4, 2019 PHNOM PENH/BANGKOK (Reuters) – Cambodia’s centuries-old tradition of masked dance was nearly wiped out by the Khmer Rouge’s “Killing Fields” regime, but a handful of artists managed to keep it alive and are now working to pass it along to a new generation...
Weekly Southeast Asia Radar: Closure of Scala Theatre; Wayang Orang lives on | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar National Geographic Indonesia/Paguyuban Wayang Orang Bharata July 2, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Art history meets Lego in two of Ai Weiwei’s latest works Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Art history meets Lego in two of Ai Weiwei’s latest works Chinese artist recreates two famous historic paintings using the hundreds of thousands of Lego bricks Alexander Morrison 7 December 2023 Share Ai Weiwei’s version of Giorgione’s Sleeping Venus is at Galleria Continua Photo: © Liliana Mora Visitors to Art Basel in Miami Beach making their way past Galleria Continua’s stand this week may find themselves doing a double take, as they encounter what looks like the Renaissance painter Giorgione’s Sleeping Venus (1510) made supersize...
In Ad Minoliti’s expansive three-panel painting Abstracción geométrico-galáctica the artist’s hallmark geometric abstractions serve as playful substitutes for more straightforward depictions of the world...
By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements...
Small Thrills, Smaller Skateboards at Fingerboarding Festival | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Do List Small Thrills, Smaller Skateboards at Fingerboarding Festival Alan Chazaro Feb 7 Save Article Save Article Failed to save article Please try again Email Those hours spent in 8th grade Algebra class mimicking ollies with with a two-inch fingerboard? It’s all about to pay off...